Thursday, October 8, 2026

Books on Thursday

I read a couple of ARCs this week (and I'm catching up on a few other, too.) It's an embarrassment of riches, with the added benefit that these two were pretty good. In somewhat related news, Goodreads has finally instituted half (and even quarter) stars! I've wished for this for a long time, and it's nice when something good happens (however small it might be).
 

In Luna, Phoenix, Queen, Julie Orringer takes a complicated web of characters, relationships, secrets, betrayals, and losses and tells the story through a chorus of different voices. What I found especially impressive is the way each POV reveals things about the other characters that they themselves don't or can't see. With every shift in perspective, my understanding of the people and their relationships changed a little, and Orringer uses that mechanism beautifully. These are complex, deeply human characters, and none of them can be reduced to a single motivation or judgment.

I won't repeat the plot details here, as the Goodreads description already gives you plenty to go on. What stayed with me was the exploration of trust, betrayal, truth, connection, obligation, and devotion, and the unsettling ways that love can coexist with all of them.

And then there is Luna. This astonishing, horribly injured dog becomes an unexpected throughline connecting so many of these lives and experiences. I loved the way Orringer allows Luna's story to echo and illuminate the larger story without ever feeling forced.

The writing is beautiful, the characterizations are exceptional, and the ending feels exactly right. Orringer has woven all of these voices and stories into something intricate, heartbreaking, and ultimately moving. I was completely absorbed by this exquisite book, and I'm fairly sure that it will be one of my favorite reads this year. Four and a half stars.

Thank you to NetGalley and Knopf for providing me with a copy of the book. It will be published on October 13, 2026. 
 
 

It's been three months since Margaret's husband, Derek, died. It has also been forty years since their eleven-year-old daughter, Jeannie, disappeared while delivering newspapers. In An Unlikely Visitor, Joanna Cannon introduces us to a woman who is struggling to imagine a future without the man she shared her life with, all while carrying the weight of a loss that never truly healed.

Everything changes when an unexpected visitor arrives at Margaret's home. Together, they decide to finally search for answers about what happened to Jeannie all those years ago. What follows is part mystery and part meditation on grief, but more than anything, it's a story about finding hope after unimaginable loss.

As Margaret retraces the past, she learns powerful lessons about life, love, forgiveness, friendship,healing, and herself. Cannon has a wonderful gift for creating deeply compassionate characters, and Margaret's quiet courage made her impossible not to root for. My heart cheered with hers and broke with hers as she slowly opened herself to new possibilities.

While the mystery itself kept me engaged, it was Margaret's emotional journey that made this novel so memorable. It's a gentle, moving story that reminds us that even after decades of heartbreak, it may not be too late for hope, healing, or a new beginning. It was four stars for me.

This unlikely, yet emotional story stayed with me long after I finished it. Thank you to NetGalley and Scribner for providing me with a copy of the book. It will be published on October 20, 2026.  
 
Now I'd love to know what you are reading!  

Wednesday, October 7, 2026

Unraveled Wednesday: 10/7/26

I’m happy to join Kat and the Unravelers today with the beginnings of a badger. 

I was glad to see that the badger only uses four colors and they are all in fairly discrete blocks. He doesn't look too badger like now, but hopefully he'll have the right half of his face done next week and then the hat will be finished!
 
I also cast on another dishtowel; this one will be a gift for Jess. I'm using my favorite color along with my favorite pattern, so I'll still have to make another one exactly the same for me. It is good to work on in the evening when it's really too dark to stitch on the hat. I need lots of natural light for that. 
 
 
What are you making this first Wednesday in October? 

Ravelry links:

Cilantro Tea Towel  

  

Tuesday, October 6, 2026

Read With Us: It's A New Book!

It's time for us to announce our RWU Fall book and it's a good one; maybe almost as good as our Summer book!

It's Partita by Barbara Kingsolver.  

I can't say I'm wild about the cover design, but I will say that the story between those covers is brilliant. If you've read Demon Copperhead, you might be expecting another story in a similar vein, but let me tell you right up front: Partita is a completely different book. And, in my opinion, so much better! While I recognize that Demon Copperhead has plenty of admirers, Partita struck me as a much more intimate, thoughtful, and beautifully constructed novel. It's a book that drew me in and gave me plenty to think about, and I found myself appreciating Kingsolver's writing in an entirely different way.

At its heart, Partita is a story about life, art, love, and the choices we make along the way. Livia Cable has settled into what appears to be a comfortable life in the farm country of Tennessee where she grew up. But a phone call from someone in her past sets in motion a reconsideration of the life she's built and the person she might have been. As the story moves between past and present, we get a closer look at the relationship between the lives we imagine for ourselves and the ones we actually live.

Kingsolver has given us plenty to talk about here: the compromises we make, the pull of the past, the role of art in our lives, and the sometimes complicated relationship between personal happiness and the responsibilities we take on. There's also much to appreciate in the way she develops her characters and allows their lives to unfold.

And isn't that what we enjoy about Read With Us? We don't have to agree about everything, and we certainly don't have to come away with the same interpretation. We just need a book that gives us something to talk about, a few questions to wrestle with, and perhaps a different perspective or two.

The hardcover and audiobook versions have a (somewhat) manageable hold queue at my libraries, so I hope that is also the case for you. The book is just being published today, so I urge you to get your hold requests placed early. I read the Kindle version (and by read I mean that I raced through it in two days). I will be rereading it by listening to the audiobook version.   

Kym, Carole, and I will be talking about the book, giving additional information, and doing promotional posts throughout July. Discussion day for Partita is scheduled for Tuesday, January 12, 2027 at 7:00 pm Eastern time, so mark your calendars. We'll ask questions on our blogs that day and then host the always educational and illuminating Zoom discussion. This is one of my favorite novels this year, and one that is also very discussable, so I hope you'll Read With Us!

 

Thursday, October 1, 2026

Books on Thursday

I read several interesting books this week. 


Imbolo Mbue’s Every Story Is a Love Story is a thoughtful, beautifully written novel about grief, forgiveness, and the complicated ways people find their way toward healing.
 
At the center is Wolo, who is still living with the devastating loss of his pregnant wife and their unborn twins three years after a car accident. His grief has softened with time, but it hasn’t disappeared. Then a letter arrives from Victoria, the woman who was driving the car. Her remorse and her desire to meet force Wolo to confront feelings he has tried to put aside, and to consider whether forgiveness is possible when the person who caused your greatest pain is also suffering from what happened.

What I appreciated most is that Mbue doesn't make forgiveness easy or sentimental. Wolo isn't simply expected to forgive and move on, and Victoria isn't reduced to either a monster or a saint. Both are complicated, wounded people trying to live with an event that cannot be undone. The novel asks some genuinely difficult questions about guilt, responsibility, mercy, and whether forgiving someone is something we do for them or for ourselves.

I also enjoyed the Cameroonian family and community life surrounding Wolo. Mbue gives the story a strong sense of place and fills it with complicated relationships, humor, faith, and the sometimes exasperating involvement of family members who believe they know what's best. Told in two timelines, we see Wolo’s marriage and the life he lost while gradually understanding the enormous weight of his grief. The contrast between the warmth and promise of his life before the accident and the emptiness afterward makes his journey toward healing especially poignant.

This is a quiet, deeply compassionate novel about living with the unlivable and finding a way forward without pretending that the past can be erased. I didn't find every part of the novel equally compelling, but its central questions stayed with me. Every Story Is a Love Story is ultimately a moving meditation on whether, after unimaginable loss, it is possible to make room for hope again.

Thank you to NetGalley and Random House for providing me with a copy of the book. It will be published on October 6, 2026. I gave this one four stars initially, but I've been thinking about it quite a bit, questioning whether it's realistic or possible at all. I'd love to hear your thoughts if you decide to read it. 
 

I was almost afraid to read this book. I spent nearly every day during his first term and now even more in this imperial second term reading the news, doomscrolling, and worrying about what Donald Trump is doing to fellow human beings, to our country, and to the world. So the idea of voluntarily spending several hundred pages immersed in his presidency wasn't exactly appealing. And yet, Regime Change is an important book.

Maggie Haberman and Jonathan Swan don't give us a lot of information that will be completely new to anyone who has been following the news closely. What they do is put it all together in a remarkably well-researched, coherent, and detailed account. Their reporting gives context and connects the dots in a way that daily headlines and breaking-news alerts simply can't. The result is a much clearer picture of how this second administration operates, how much has changed since Trump's first term, and how the people around him have responded to the enormous power he has amassed.

It's also a sobering read. Early in the book, the authors write "Given his cartoonish persona, his deep orange complexion, and his oversized ties and coiffure, there is often a temptation to cover Trump as if he is a clown." The book emphasizes that beneath the theatrical presentation lies an intentional and consequential deployment of executive authority, rather than mere performance or absurdity. There is no reassuring conclusion here, no suggestion that everything will somehow work itself out, and certainly no reason to expect the authors to provide us with hope for the next several years. That's not their job. Their job is to report what they have found, and they do that thoroughly.

My bigger problem may be what this book, and the news in general, does to me. Watching the news every day isn't doing my mental health any favors at the moment. I know I can't continue doomscrolling from morning until night, but I also don't want to look away completely.

Perhaps the answer is somewhere in between: step away from the daily news cycle, take a breath, and occasionally consult the people who have done the painstaking reporting for us. Regime Change is a difficult book to read, but I’m glad Haberman and Swan did the difficult work of putting this moment into a coherent historical record. Now I just need to figure out how to read that history without living inside it 24 hours a day.
 
 
 
Barbara Kingsolver has written another extraordinary novel. Partita is a beautiful, deeply moving meditation on music, memory, ambition, love, loss, and the ways a single relationship, or a single decision, can alter the course of a life.

Livia Cable has built a quiet, settled life in the place where she grew up, but a phone call from a man she loved decades ago forces her to look back at the young woman she once was: Livia Bohusz, a gifted piano student whose entire life seemed to be opening before her. As the novel moves between Livia’s present and her past, her memories unfold through the language and structure of music. It’s an ambitious device, but in Kingsolver’s hands it feels completely natural. The past doesn’t simply get remembered; it gets played again.

What I loved most is the way Kingsolver explores the complicated relationship between "art and life". What happens when extraordinary talent collides with class, family expectations, love, and circumstances beyond our control? Is pursuing the thing we love worth the sacrifices it demands? And can we ever completely leave behind the person we were before life took us in another direction?

Kingsolver writes with such intelligence and compassion that even the painful parts of Livia’s story never feel merely tragic. There is an understanding here of how people make choices with the knowledge and emotional resources they have at the time, and then spend years living with those choices.

And the music! Music isn't simply decoration in this novel; it is part of the story's emotional vocabulary. The ARC includes a listening list, which I am very grateful for, because the one thing that might make Partita better would be a link to all of the pieces referenced in the book. I will be searching YouTube for Ravel’s Ondine, Bach’s Partita in C Minor, and the rest of the pieces before I read this stellar novel a second time. I have a feeling the experience will be even richer with the music playing alongside the words.

This is one of those books that makes me want to close the cover and immediately start over, not because I missed the story, but because I want to experience it again, this time knowing where all the notes are leading. Five enthusiastic stars, and I'm already looking forward to the encore.

Thank you to Edelweiss and Harper for providing me with a copy of this book. It will be published on October 6, 2026.
 
 
Now I'd love to know what you are reading! 

Wednesday, September 30, 2026

Unraveled Wednesday: 9/30/26

I’m happy to join Kat and the Unravelers today with my finished stack of dishtowels for Ryan's Christmas gift.

I usually get my Wednesday posts ready on Tuesday, but I stayed up late last night trying to finish and still had several rows of seed stitch to go on this last towel. I did that this morning, so I'm a little later with this post, but I didn't want to subject you to yet another week with an almost finished dish towel. 

I did cast on another dishtowel; this one will be a Christmas gift for Jess. But more importantly, I am back to working on Justin's hat. I hope to be back here next week with the final badger in progress (and maybe even completed if I'm lucky).

Several people have asked how I can stand to knit the same thing over and over (Hitchhikers, dishtowels, and who knows what will be next). I may be a boring knitter but I truly get a lot of pleasure out of repeating these patterns and the yarns I've used. These dishtowels started as an idea for Christmas gifts, but along the way I realized that they are helping me to stay grounded in this horror show we live in. Apparently knitting the same things over and over and over again is how I manage and I'm glad to have found that out. Virginia Woolf said "Knitting is the saving of life," and I think that may be true. 

What are you making this final Wednesday in September? 

Ravelry links:

Cilantro Tea Towel  

Nested Squares Kitchen Towel 

Chili Pepper Kitchen Towel 

 

Thursday, September 24, 2026

Books on Thursday

I only read one book this week, but it was a good one. Barbara Kingsolver recommended it, so I figured it might be worth reading (and it was). 


Labor is a deeply personal memoir about medicine, family, identity, and women’s reproductive autonomy.

As an OB/GYN, Dr. Mary Afsari has spent her career caring for women, and much of the book explores the tension between the care she wants to provide and the increasingly complicated realities of the medical system. Her decision to leave the traditional hospital setting and create a mobile women’s health clinic becomes both a professional and personal turning point. Her central message is clear: women deserve agency over their own bodies, health care, and lives.

I was interested in the connection between Afsari’s medical career and the mystery surrounding her grandmother Mehry’s death in Iran in the 1950s. Uncovering this part of her family history gives the memoir another dimension, particularly as Afsari considers the ways that culture, family, and expectations shape women’s lives. The sections about Iran and her family history were among the most compelling parts of the book for me. I also appreciated the stories of Afsari’s patients and her efforts to make medical care more personal and compassionate. Her commitment to the women she serves comes through strongly.

That said, I didn’t connect equally with every part of the memoir. At times it felt more like a professional manifesto than a memoir, and some of the discussions of the medical system slowed the narrative for me. I also found myself wishing that certain personal and family stories had been explored more deeply.

Still, Labor raises important questions about who gets to make decisions about women’s bodies and health. Its strongest moments are those in which Dr. Afsari connects her own family history and experiences as a physician to the larger struggle for dignity, autonomy, and compassionate care. A thoughtful memoir with an important message about medicine, women’s health, and the power of reclaiming one’s own path. Three and a half stars rounded up.
 

Now I'd love to know what you are reading! 

Wednesday, September 23, 2026

Unraveled Wednesday: 9/23/26

I’m happy to join Kat and the Unravelers today with a dish towel finish, but I'm still plugging away on the last one.

I finished the Hurdle stitch towel and it has joined the growing pile of gift towels that sits on the arm of my knitting chair. It just makes me happy to see them. This was definitely my favorite pattern and I'll be knitting one or two of these for myself later.

I'm still knitting on the last purple Nested Squares towel. It seems like I'm always making (and then fixing) seed stitch mistakes. Whenever this happens, I tell myself that I'm stretching my brain and possibly preventing dementia, but it's still not a fun pattern for me, and this dark purple yarn I chose doesn't help at all. 
 
 
But I do want to finish it before I start working on Justin's hat, otherwise it may never get done.  

What are you making on this penultimate Wednesday in September? 

Ravelry links:

Cilantro Tea Towel  

Nested Squares Kitchen Towel 

 

Monday, September 21, 2026

Read With Us: Off the Shelf

Hello, and welcome to our latest Read With Us spin-off!

During the last Zoom call that Kym, Carole, and I had to discuss our next books, Kym came up with yet another great idea. Off the Shelf is a place where we’ll talk about why a particular book has earned a spot on our personal library shelves.

We’ve decided to throw caution to the wind and not create a schedule for this one. Instead, you can look for an Off the Shelf post on random Mondays. There may be Mondays when all three of us post, Mondays when none of us post, and every possible combination in between. In other words, there are no rules (which seems very Read With Us)!

My library at home consists mainly of a three-shelf bookcase filled with books I’ve saved over the years. The top shelf has all the Harry Potter books, the middle shelf holds poetry and some of my special fiction, and the bottom shelf is mainly children’s books that I can’t bear to part with. The book I want to tell you about today is from the middle shelf, and it’s the one I thought of as soon as Kym mentioned her idea.
 
 
Early Candlelight Stories, published in 1922, belonged to my grandmother when she was a child. She kept it in the room where I stayed whenever I visited her. The book opens with a grandmother arriving to spend the winter with her grandchildren, Bobby, Alice, and Pink. As the children gather around her in the evenings, Grandma shares nostalgic stories about her own childhood, family life, childhood adventures, and small-town community, all accompanied by charming illustrations. All I have to do is pick it up, and I’m transported back to the warm feelings the book has always brought me.

I used to read several of the stories each night when I was staying with my grandmother. I don’t read it much anymore because the binding is falling apart and a few pages are coming loose. I’ve looked for replacement copies and have found some reprinted versions since the book is in the public domain, but they just aren’t the same.


So I’m content to keep my old, falling-apart book just as it is. It’s still in good enough shape to hold all the lovely memories I have. Its pages may be loose, but its place on my shelf is secure. 



Thursday, September 17, 2026

Books on Thursday

This week was a nonfiction week for me. One was sad but highly educational and informative and the second one was an exceptional recommendation from Kat. 

 

After reading Robert Kolker's Hidden Valley Road, I was eager to pick up The Vanishing Family. His previous exploration of a family devastated by inherited schizophrenia was both compassionate and fascinating, so a book about another family confronting a devastating genetic legacy immediately caught my attention.

This time Kolker turns his focus to frontotemporal dementia (FTD), following a Pennsylvania family over decades as sibling after sibling faces the possibility and the reality of inheriting a rare genetic mutation. What makes the story so heartbreaking is that the disease often strikes people in the prime of their lives, fundamentally altering their personalities long before their memories disappear. Watching family members struggle to understand what is happening, while living under the constant shadow of a 50/50 chance of developing the disease themselves, creates an almost unbearable sense of tension.

Kolker has a remarkable gift for explaining complicated medical research without losing sight of the people at the center of the story. The science is fascinating, but it never overshadows the emotional weight of the family's experience. Their resilience, grief, disagreements, and determination to contribute to research make them feel like people you come to know rather than simply subjects of a case study.

While the book is deeply moving, I occasionally found myself wishing for a slightly tighter narrative. The scientific discoveries and the many family members can sometimes make the story feel repetitive, especially in the middle sections. Even so, Kolker's empathy for his subjects and his skill as a storyteller kept me engaged throughout.

This is an engrossing blend of medical mystery, family history, and human resilience. Like Hidden Valley Road, it reminds us that behind every scientific breakthrough are real people whose willingness to share their stories may ultimately change countless lives.

Thank you to NetGalley and Doubleday for providing me with a copy of this book. It will be publsihed on September 29, 2026.

On Witness and Respair is a deeply moving collection of essays that feels both intimate and expansive. Jesmyn Ward writes about family, grief, motherhood, race, literature, and the experience of being a writer with the same lyrical intensity that makes her fiction so powerful. There’s a real sense throughout that she is trying to understand how we carry the people and experiences that have shaped us, and how we keep going after loss.

The essays about literature were some of my favorites, particularly Ward’s reflections on Toni Morrison, Richard Wright, and Octavia Butler. I loved seeing how these writers became part of her intellectual and emotional landscape, and how she connects their work to her own life and writing. Her thoughts on what fiction can do and why stories matter also made this feel like a fascinating glimpse into her creative mind.

The titular essay, “On Witness and Respair,” is especially heartbreaking. Ward writes about the sudden death of her partner with tremendous honesty and restraint, capturing both the enormity of grief and the strange, disorienting experience of trying to live alongside it. The book’s idea of “respair”, hope that persists despite everything, is what ultimately stayed with me.

I’ve seen other reviewers mention that they found the essays repetitive, but I didn’t experience them that way. There are certainly recurring themes and ideas, but I appreciated that repetition as part of the collection’s coherence. Ward keeps circling back to family, literature, loss, and resilience from different angles, and each return felt like another layer rather than simply saying the same thing again.

Not every essay resonated with me equally, which is why I landed at four stars rather than five, but there is so much beauty and thoughtfulness here. Ward’s prose is as haunting and gorgeous as ever, and this collection left me thinking about the relationship between grief and hope, and about the stories we inherit and the ones we choose to tell. Thanks for the recommendation, Kat! 

Now I'd like to know what you are reading! 

 

Wednesday, September 16, 2026

Unraveled Wednesday: 9/16/26

I’m happy to join Kat and the Unravelers today. And guess what; I'm still knitting dishtowels! I'm almost finished with the hurdle stitch one, just a couple more inches to go. I thought I might get it completed yesterday, but Ryan and I ended up talking too much and I had to tink back four rows where I made a mistake. The conversation with my son was well worth a bit of tinking and reknitting. 

I still have a dark purple nested squares towel in progress that I need to get back to after I finish this cream one. Then I think I am done with Christmas gift towels.  I want to return to Justin's hat; there's just one badger left to stitch and then the hat will be complete. The weather is finally cool enough that my fingers don't get sticky stitching with wool yarn. But I still might need to make myself a dish towel now that I know which ones are my favorites. 

What are you making this Wednesday in September? 

Ravelry links:

Cilantro Tea Towel 

 

Tuesday, September 15, 2026

Read With Us: Time for a Discussion!

Today is the discussion day for our Read With Us summer book, John of John by Douglas Stuart. 

 

Kym, Carole, and I are each posting a discussion question or two on our blogs today, and you are welcome to respond in the comments. I would also encourage you to reply to others' comments if you choose.  This is a book discussion, after all, so there are no correct answers or right opinions. I'm really looking forward to discussing this book. I raced through it the first time I read it, and then read it a second time where I discovered many things I had missed or forgotten. I think this discussion will be valuable for me, and I hope for others of you as well.

John of John seems especially well-suited to discussion because it raises questions about family, identity, love, and the complicated ways we inherit both strengths and wounds from the people who came before us. Here is my question: The novel is full of things people cannot or will not say. What secrets and silences seemed most important to you? How does Stuart use what the characters don't say to create tension?

I'll be glad to share my thoughts about our questions tonight during our Zoom discussion. These questions on our blogs and the Zoom discussion are your chance to express your ideas. So what do you think? I can't wait to hear your thoughts! (And I'm counting on our discussion to give me fresh perspectives in my own thinking about this unique novel.)

The in-person Zoom discussion will be at 7:00 pm Eastern this evening. If you haven't RSVP'd to Kym already you can send me an email (the email address is in the upper right) and I will make sure you get an invitation with the Zoom link. I think this is my favorite Douglas Stuart novel so far, and one that is also very discussable, so I hope you're able to attend the discussion tonight!

   

Thursday, September 10, 2026

Books on Thursday

I read a few books over the past few weeks; two were pretty good, but I was less than enamored with the third one.


Little Princesses is a fascinating glimpse into the childhood of Queen Elizabeth II and Princess Margaret, told by the woman who spent sixteen years as their governess. Marion Crawford, or “Crawfie” as Elizabeth called her, gives us a very different picture of royal life than the polished public image we usually see.

What I enjoyed most was the glimpse of the girls as children rather than as future monarch and princess. Elizabeth comes across as serious, conscientious, and remarkably self-disciplined even at a young age, while Margaret is more mischievous, spirited, and demanding of attention. Crawford clearly loved both girls, and some of the most enjoyable passages describe their everyday activities, like swimming, Girl Guides, outings, vacations, and even riding the Underground. She made a conscious effort to give them experiences outside the sheltered world of royalty.

The book is also particularly interesting as a historical document. Crawford was writing shortly after the upheaval of Edward VIII's abdication, when Elizabeth's unexpected position as heir had transformed the family's life. We see the transition from a relatively quiet family existence to life at Buckingham Palace, and eventually the arrival of Charles. There is plenty of detail about the routines and expectations of royal life that I found entertaining.

That said, the book is somewhat uneven. Crawford's perspective is understandably limited, and she sometimes spends a lot of time on the minutiae of daily life without providing much broader reflection. Knowing what happened to Crawford after publication (that the Queen Mother apparently never forgave her for writing the book) also gives the memoir a rather sad undertone. Crawford obviously regarded her years with the family as an important and loving part of her life, so the eventual estrangement feels particularly poignant.

I also found myself wishing for more insight into the adults and the complicated dynamics within the royal family. Crawford was close to the Queen Mother, but she remains somewhat guarded about certain subjects, and there are moments when I wanted to know more than she was willing or able to tell.
 

Little Princesses is worth reading for anyone interested in the British royal family or twentieth-century history. It feels less like a sensational royal tell-all than an affectionate, sometimes nostalgic account of two little girls growing up in an increasingly extraordinary set of circumstances. The historical context and the opportunity to see Elizabeth and Margaret as ordinary children make this an enjoyable memoir. Three and a half stars rounded up. 
 

I liked The Art of Racing in the Rain, although I think I may have enjoyed the movie just a little more than the book (which is not something I say very often).

The story is told from the perspective of Enzo, a dog who is convinced that he has the soul of a human and is waiting for his next life. Through Enzo’s eyes, we follow his owner, Denny, an aspiring race car driver, through love, marriage, parenthood, heartbreak, and some truly heartbreaking challenges. There’s plenty here about racing, but ultimately this is a story about loyalty, family, perseverance, and making the most of the time we’re given.

I think part of the problem for me is that I saw the movie first. Once I had Kevin Costner’s voice in my head as Enzo, it was hard to imagine the character any other way. Costner’s narration gave Enzo a warmth and personality that I found especially appealing. The movie also made a few changes to the story that, in my opinion, actually improved it, particularly the way the situation involving the charge against Denny was handled. I found that version more emotionally satisfying, and the ending was absolutely perfect.

The book certainly has its touching moments, and Enzo is an appealing narrator, but some of the sentimentality worked a little better for me on screen. Maybe if I had read the book first, I would feel differently. This is one of those rare cases where I think the movie edges out the book, but I’m still glad I read it. Three and a half stars, and I wonder why I have mistakenly thought this book was about running in the rain for 18 years. 
 


I understand the idea at the heart of Good Joy, Bad Joy: older women can feel invisible, and after spending a lifetime being the responsible wife, mother, and community member, Joy wants to find out what it might feel like to put herself first. I actually liked that premise and initially had some warm feelings toward Joy.

Unfortunately, I had a hard time getting behind the way she went about reclaiming her sense of freedom. Her first few attempts at breaking the rules seemed relatively harmless and even fun. But as her behavior escalated, Joy begins committing actual crimes, like pulling a fire alarm and speeding, for example, simply because she wants to feel that she's living more boldly. To me, this felt less like liberation or courage and more like immaturity and pettiness. I kept wishing that Joy's rebellion had led her toward something more meaningful than simply doing things she knew she shouldn't do.

I also found myself questioning some of the book's attempts at humor. The premise has plenty of potential for both humor and emotional depth, but the more Joy's antics escalated, the less I connected with her. The friendship between Joy and Hazel was much more appealing to me, and I appreciated the book's exploration of aging, friendship, regret, and the desire to make the most of the time we have left.

Interestingly, I realized that some of my initial affection for Joy may have been coming from the audiobook narration rather than the character herself. Maggi-Meg Reed narrates Joy, and she also narrated Sibyl's voice in The Correspondent, a book I loved. Hearing her voice brought back those positive associations and probably made me more predisposed to like Joy than I otherwise would have been.

There are some worthwhile ideas here about aging, invisibility, friendship, and giving ourselves permission to change. I just didn't find Joy's particular journey toward "Bad Joy" as charming or empowering as I think the author intended. Two and a half stars. 

Now I'd love to know what you're reading! 

Wednesday, September 9, 2026

Unraveled Wednesday: 9/9/26

I’m happy to join Kat and the Unravelers today with a finished dish towel and a new one in progress. 

I finished the Nested Squares towel in sagebrush CotLin, so it joins the stack of other towels. 
 
I can't recall how I came across this next pattern, but I liked the stitch it is knit in. It reminded me of waffle stitch, but it's a simple four-row repeat called hurdle stitch. I've been knitting for well over 50 years but this was new to me. This old dog is happy to learn new tricks, especially if they are ones that she can master easily.
 

The original pattern had a seed stitch border but I needed a break from seed stitch, so I elected not to do that. I liked the stockinette band from the first towels I knit, so that's what I did here. I'm about halfway done and hope to finish this up soonish. 
 
 
I've also got a deep purple towel started in the Nested Squares pattern, and I might need to knit a couple dish towels for Jess for Christmas. I also wouldn't mind a couple towels for myself, and the weather is cooling down so I should also get back to Justin's hat. Then there is the Saltwater Bandana from Purl Soho that I've been waiting to cast on. Plenty of projects for the foreseeable future!

What are you making this Wednesday in September? 

Ravelry links:

Nested Squares Kitchen Towel 

Cilantro Tea Towel 

Monday, September 7, 2026

Bits and Pieces: September 2026

 

Hello! I had originally planned to be away last week, visiting John's oldest sister and her husband in northern PA, but then we unfortunately had two deaths in the family, so the travel plans got cancelled. I was busy so I took a little blog break, but I'm back now. A Bits and Pieces post seems like a good way to get back to blogging. 

  • The photos in this post don't have anything to do with the written bits. They are just pictures from a file I keep called "Errant Photos". Some of them are from mistakes I've made while trying to take pictures, but I have no idea what the others are. I do think they're too interesting to delete, so I'm glad to have a chance to use them. 
  • John and I have friends that we meet for dinner once every month or so. The wife of the couple (let's call her Jean since that's her name) has recently started knitting with her church group. They give bibs and a baby blanket to every child that gets baptized and Jean says they are running pretty far behind. She recently got promoted from bibs to knitting blankets and was pleased with that, but she said she had made a mistake and could I please, please, please see if I could fix it? I took a look and she had just slipped two stitches instead of knitting them. It was about a 30 second fix to tink back and knit the stitches so she could get back to knitting, but Jean was absolutely thrilled. I told her to call me any time, she thanked me profusely, gave me a jar of her homemade salsa, and has continued to text her thanks. I tried to show her what I did so she could maybe do it in the future but she's not quite ready for that. I felt a bit like a superstar even though I know I didn't do anything, but I am glad Jean was so happy and could get back to her knitting. 
  • I'm officially looking for a new-to-me car. I'm currently driving a 2012 Subaru Forester with a minimum of bells and whistles, which is what I prefer. It even has a real key instead of a push button to start it, and it works well for the minimal driving I do (which is basically to the grocery store, and Ryan's and Justin's houses). But we've needed to invest $2900 in it in the last two weeks to repair a power steering line leak and the lower control arms. (I don't really know what they are or what they do, but I'd hate to be out of control.) I've looked around a bit online and my in-person visit to the local Subaru dealer was enough to make me want to keep my car. A used Subaru that is a couple of years old with reasonable mileage seems really expensive, especially when I can get a new one for just slightly more. I'm going to shop around (which means that I'll probably ignore it until something else breaks on my car.)
  • Justin's and Jess' wedding is getting closer. Justin finally picked out what he and the groomsmen will be wearing and he arranged everything through Friar Tux. (I do love that name!) Once he created "The Look", all he and the groomsmen had to do was input their measurements and Friar Tux will send them their outfits. He used it for a couple of weddings that he was in and it was so much easier than going to a tux rental place. 
  • They got a "self-uniting" marriage license. They are getting married at a venue in the woods in Canadensis, PA. They've asked John's older sister, Phyllis, to perform the ceremony. She got "ordained" on the internet; I don't remember what organization it's with, but she's married several couples and I know she'll say some lovely things this time. PA doesn't recognize her internet church, but they do offer something called a "self-uniting" marriage license. That means that the couple themselves solemnize the marriage, and all they need to do is have two adult witnesses sign the license and return the paperwork for it to be official and legal. It was originally meant for Quakers, although you don't have to be Quaker to go this route. I think it's kind of cool; I just need to stop calling it self-sealing.
  • I'm still plugging away on dish towels but I'll be back Wednesday to show you some progress. I hope you are having an enjoyable Labor Day if you're in the US, or a lovely Monday if you're elsewhere! 

 
 

Monday, August 31, 2026

Read With Us Lounge: 8/31/26

 
As our summer together in the Read With Us Lounge comes to an end, I want to say a big thank-you to everyone who joined in, whether you participated in every discussion, dropped by occasionally, or simply kept the Lounge in the back of your mind as you made your way through your summer reading.

When we started, the goal was pretty simple: No Rules. Just Fun. We hoped to make reading feel a little less like a checklist and a little more like an adventure. I wanted us to challenge some of our usual reading habits, try books we might not otherwise pick up, and most of all, have fun talking about books with other readers.

So, before we close the Lounge for the summer, I'd love to hear what you thought!

Did you enjoy the Read With Us Lounge?

A few questions to get the conversation started:

  • What did you enjoy most about the Lounge?

  • Did you discover a book, author, or type of book you wouldn't have tried otherwise?

  • Did any of our prompts change the way you thought about your reading?

  • Was there a particular discussion or post that stayed with you?

  • Did you enjoy having the freedom to read whatever you wanted, rather than following a traditional book-club reading list (and no Book Bingo cards)?

  • Was there anything you would change if/when we do this again?

  • Would you participate in another Read With Us Lounge?

  • And, maybe most importantly, did the Lounge help make your summer reading more enjoyable?

I’ve loved seeing what everyone has been reading and hearing your thoughts along the way. One of my favorite things about this group has been discovering how differently we can respond to the same book, and how much we can learn from someone whose reading tastes or life experiences are completely different from our own.

Thank you for making the Lounge such a welcoming place for readers. I hope you've maybe found a few new favorites, reconsidered a few old reading rules, and added some books to your ever-growing TBR pile.

Now it's your turn: tell me what you thought! And if you have ideas for what a future Read With Us Lounge might look like, I'd love to hear those, too.

Happy reading, and thank you for spending part of your summer with us!

======

One last chance! As a small token of our appreciation, we'd love to send you a thank-you gift for participating in the Read With Us Lounge. If you're comfortable sharing your mailing address, please send it to me via email (highlyreasonableATgmailDOTcom) and we'll get your parting gift on its way in a bit. Thanks again; we really appreciate your commitment to our "No Rules. Just Fun!" philosophy.  

 

Thursday, August 27, 2026

Books on Thursday

I've read a few interesting books and would like to tell you about them today.

 

I’ve been trying to expand my reading this summer, and part of that has meant seeking out memoirs by people whose lives are very different from mine. Sober Mom fits that description. Liz Jannuzzi’s account of her alcoholism, its devastating effects on her marriage and family, and her eventual recovery through AA is a candid and often remarkable story.

What struck me most was the amount of energy and planning that went into maintaining the illusion that everything was fine. Jannuzzi was raising three young children while drinking vodka for much of the day, all while hiding bottles, concealing how much she drank, hiding the money she spent on alcohol, and trying to keep her husband from discovering the extent of the problem. Her description of reaching the point where she could no longer keep the pieces of her life separated is painful but compelling.

I also appreciated that Jannuzzi doesn’t present recovery as a neat, inspirational transformation. There are cravings, uncomfortable amends, grief, marital difficulties, and plenty of awkward moments. Her willingness to describe the less glamorous parts of AA and sobriety makes the story feel honest rather than overly polished. There is also a welcome vein of humor amid some very difficult material.

One caveat for those of us who enjoy a drink: Jannuzzi occasionally describes vodka and cranberry juice with such lush, sensory detail that I found myself thinking, "Well, that sounds pretty good!" It's an acknowledgement of her writing ability, and an interesting reminder of just how seductive alcohol can be, even when you’re reading about the destruction it caused.

This isn’t a memoir I would describe as an easy or comfortable read, but it is a compelling one. Jannuzzi tells her story with considerable honesty and gives a vivid picture of what alcoholism can look like when it is hidden behind the façade of an ordinary suburban family life. Most importantly, Sober Mom offers a convincing portrait of recovery as something built one day at a time, with help from other people and a willingness to confront the damage left behind. This was four stars for me.  
 

Any Bitter Thing is a quietly moving novel about memory, forgiveness, family, and the ways that the truth can become complicated when viewed through the imperfect lens of time.

After a near-fatal accident leaves Lizzy Mitchell struggling to recover, she becomes preoccupied with the vision she had while unconscious: her beloved Uncle Mike, the Catholic priest who raised her until she was nine. Twenty years earlier, accusations of impropriety had destroyed Mike’s career and separated him from Lizzy, sending her away to boarding school. Now, as Lizzy tries to piece together what happened to her in the accident, she also finds herself compelled to revisit the events that changed both their lives.

I particularly liked the way Monica Wood explores the uncertainty surrounding memory. Lizzy isn't simply trying to uncover an objective version of the past; she has to confront how children understand adult behavior, how families protect themselves, and how easily suspicion can become accepted as fact. The question of what really happened to Father Mike provides the mystery at the heart of the novel, but the emotional consequences are ultimately more important than solving it.

Lizzy's recovery, her troubled marriage, and her complicated feelings about Mike give the story plenty of emotional depth. At times the novel felt a little overly sentimental to me, and some of the spiritual elements didn't completely work for me. Still, Wood writes with considerable compassion, and I appreciated that she allows her characters to be flawed without making them easy to judge.
 

This is ultimately a story about the damage caused by secrets and accusations, but also about the possibility of reconciliation and hope. Any Bitter Thing isn't a fast-paced mystery so much as an intimate exploration of how we remember the people we love, and how understanding the past can sometimes help us find a way forward. Thanks for the four-star recommendation, Becky! 
 


I thought that Homeschooled sounded like it might be interesting, but I found myself wishing the author had chosen a different title and framed the book quite differently. This is not a book about homeschooling so much as a memoir about an unhealthy mother-son relationship marked by codependency, isolation, emotional manipulation, mental health issues, and familial dysfunction.

Stefan’s mother removes him from school because she believes his teachers are stifling his creativity, but what follows is far removed from what most people would consider education. His world becomes increasingly restricted, while his mother involves him in increasingly bizarre projects and attempts to control his behavior and development. The emotional manipulation and isolation are particularly disturbing because they are presented under the guise of homeschooling.

One episode that stayed with me was his mother’s insistence that he crawl around the house like a baby, supposedly as a way to improve his penmanship. I kept wondering what his father thought about having a middle-school-aged son crawling around the house because his mother believed this was somehow beneficial. The author repeatedly mentions that his father was very busy, but I found myself wishing there had been more exploration of his role in what was happening. I would also like to have read some of the older brother's thoughts.

There is no question that this is a sad and, ultimately, empowering story. Stefan’s return to public school after five years of isolation and his gradual discovery of a life outside his mother’s control are compelling. His journey toward independence is the strongest part of the book, but it still felt like Block excused or even romanticized much of his mother's highly aberrant behavior.

For me, the homeschooling aspect felt almost incidental to the larger story. The real subject is a mother whose controlling behavior and increasingly eccentric worldview profoundly affected her son. I think I would have connected with the book more if it had been presented as a memoir about mental health, family dysfunction, and a young person struggling to establish his own identity rather than as a book purportedly about homeschooling.

There are some powerful and heartbreaking moments here, but ultimately I found the framing of the story frustrating, and I still have many unanswered questions about what this family went through. 1.5 stars rounded up.

Now I'd love to know what you're reading!