Thursday, May 28, 2026

Books on Thursday

I read three books this week, two ARCs and one already published book. A couple of them were just average, but I've read a lot of stellar books lately and they can't all be five stars. 


The Left and the Lucky was something I checked out on the spur of the moment. It is filled with empathy and bruised humanity, and at its best, the novel offers a moving portrait of connection between damaged people trying to survive difficult lives. Eddie, the lonely house painter carrying decades of guilt, and young Russell, desperate for safety and kindness, form the emotional core of the story, and their growing bond is genuinely tender. Vlautin writes beautifully about small mercies: a shared meal, a little work to do, a quiet place to sit, someone finally paying attention. Those moments feel earned and deeply human.

But for me, the novel’s relentless bleakness eventually became overwhelming. There is more than enough sibling abuse, substance abuse, neglect, poverty, violence, and child abandonment to go around, and while Vlautin clearly approaches his characters with compassion rather than judgment, the accumulation of misery sometimes overwhelmed the story entirely. Curtis, Russell's brother, is portrayed with such frightening volatility that many scenes become difficult to read, and the constant sense of danger hanging over Russell made the reading experience emotionally exhausting.

That makes the kindness Eddie offers all the more meaningful, but it also means those quieter moments can feel buried beneath wave after wave of suffering. I appreciated what Vlautin was trying to do ,show how even fragile acts of care can alter a life, and there are passages here that are heartbreakingly lovely. Still, I found myself wishing for a little more balance and breathing room amid the despair.

Readers who appreciate stark, working-class literary fiction with deeply compassionate characters will likely find much to admire here. While I respected the novel more than I enjoyed it, Eddie and Russell’s relationship lingered with me even after I finished the final page.
 This was three stars for me. 

Barry Werth’s The Age of Cures is an ambitious history of the rise of the American pharmaceutical industry, tracing the scientific breakthroughs that transformed medicine between the 1930s and 1960s. Werth clearly did an enormous amount of research, and the book is packed with details about the development of antibiotics, vaccines, cortisone, and the partnerships between universities, government, and private industry that reshaped modern healthcare.

What worked best for me was the sense of scale. Werth captures how terrifying illness once was before the arrival of so-called “miracle drugs,” and he effectively shows how quickly medicine evolved within just a few decades. Some sections, particularly those dealing with the race to develop penicillin and the polio vaccine, were genuinely compelling and gave me a new appreciation for the scientists and institutions involved.

That said, I found the book uneven as a reading experience. The level of detail can become overwhelming, and the narrative sometimes gets bogged down in long explanations of corporate structures, research funding, and scientific politics. While those elements are obviously important to the story Werth is telling, they occasionally overwhelm the book. I also struggled to connect emotionally with most of the people involved because the cast of researchers, executives, and institutions is so large.

Overall, this is a thoughtful and deeply researched work of medical history that will probably appeal most to readers with a strong interest in science, medicine, or the pharmaceutical industry. I admired it more than I loved it, but I still came away with a greater understanding of how modern medicine and America’s pharmaceutical dominance came to be. Three stars from me.

Thank you to Edelweiss and Simon & Schuster for providing me with a copy of the book. It will be published on September 22, 2026.


Mary Beth Keane’s Whale Harbor is a sprawling family novel that feels both intimate and epic at the same time. Inspired by Keane’s own family history, the story follows eleven brothers whose lives diverge after tragedy fractures their family in Ireland. Some remain behind while others emigrate to Montana and New York, building new lives marked by hardship, loyalty, silence, and longing. At the center of it all is the mystery of a missing brother, Rian, whose absence echoes through generations.

What impressed me most was Keane’s ability to make such a large cast feel emotionally distinct and fully human. Multi-generational novels can sometimes become overwhelming, but here each brother and branch of the family carries its own emotional weight. The novel explores immigration, identity, masculinity, grief, and family obligation without ever feeling heavy-handed. Keane writes with tremendous compassion for her characters, even when they make frustrating or heartbreaking choices.

The emotional texture of the book is what lingered with me most. There’s a quiet sadness running beneath much of the story, but also resilience and tenderness. Keane captures the complicated ways families carry both love and damage across decades. The sections set in New York and Montana were especially vivid, and the immigrant experience felt grounded in the daily realities of work, survival, and reinvention rather than romanticized nostalgia.

I also appreciated the pacing and structure. Despite covering so many years and perspectives, the novel never felt rushed. Keane allows relationships and tensions to develop naturally, and the central mystery of Rian's estrangment gives the story an emotional pull that keeps unfolding right up to the end.

My only slight hesitation is that a few characters inevitably receive less depth simply because the scope is so ambitious. There were moments when I wanted to stay longer with certain family members before the narrative moved on. But honestly, that feeling also speaks to how invested I became in their lives.

Overall, this was a beautifully written and deeply absorbing family saga, rich with history, heartbreak, and humanity. Fans of literary fiction centered on family dynamics and immigration stories will find a lot to love here. I’ll be thinking about these characters for a long time. 4.5 stars rounded up.

Thank you to NetGalley and Scribner for providing me with a copy of this book. It will be published on November 3, 2026.

Now I'd love to know what you're reading!  

5 comments:

  1. I enjoyed Ask Again, Yes so I will be adding this new one by Mary Beth Keane to my TBR. Thanks for your reviews.

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  2. Just requested Whale Harbor on NetGalley -- I really loved Ask Again, Yes, and this sounds wonderful!

    The highlight of my reading this week has been the audiobook of Kitchens of the Great Midwest. I've been meaning to read J. Ryan Stradal for a while and finally remembered to check availability on Libby. No waits, hooray! It's been a fun distraction from my work reading.

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  3. As always, thank you so much for your really compelling reviews Bonny! I am adding Mary Beth Keane's new book to my TBR list as well! Thank you!

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  4. I have requested Whale Harbor from NetGalley as well. I liked her previous book. This week I am somewhat consumed with Wink, so not much reading is getting done. He is settling in, so that should get less time consuming soon. But I must admit he is a lot of fun, and it is nice to have a snuggle in the morning.

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  5. My reading has slowed lately . . . all the time in the garden makes me so sleepy that I'm finding myself dozing off even with compelling reads. Oh, well. The most intense gardening chores are nearly finished . . . I've been catching up on some of my NetGalley ARCs lately. Right now, I'm really liking Country People (Daniel Mason) and I finished - and liked - Contrapposto (Dave Eggers) last week. (The gardener in me keeps calling that one "Compposto. . . ")

    Thanks, as always, for your excellent reviews, Bonny.

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