Books on Thursday

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I read two books this week; both of them are pre-publication copies. 

For about three-quarters of Country People, I was convinced I was reading a five-star novel.

Daniel Mason creates a wonderfully eccentric world populated by characters who are odd without feeling cartoonish, and he balances humor, lyricism, and genuine emotional insight with remarkable ease. Miles is a lovable mess of a protagonist, perpetually distracted, endlessly curious, and forever chasing the next fascinating idea rather than finishing the things already on his plate. His struggles with marriage, parenthood, ambition, and self-worth give the novel a surprisingly sturdy emotional center beneath all its whimsy.

I enjoyed the community of misfits and others that Miles encounters in Vermont. My favorite among them was the character inspired by Snowflake Bentley and his endlessly fascinating "Inventory of Wrong Ideas", a catalog of humanity's mistaken beliefs and discarded certainties. That project felt perfectly suited to a novel so interested in stories, myths, and the strange things people choose to believe.

Unfortunately, the book lost me when it became increasingly invested in the local legend of an underground kingdom. Up to that point, the novel's magic had come from its blend of recognizable human struggles and delightfully quirky characters. As the plot shifted toward unraveling this bizarre legend, the story began to feel less focused and more self-indulgent. What had seemed charmingly eccentric started veering into territory that felt unnecessarily loony.

The ending was the biggest disappointment. After such a rich and engaging build-up, the novel seemed to fizzle out rather than arrive anywhere meaningful. The two epilogues only reinforced that feeling for me, extending a conclusion that was already struggling to land and drawing attention away from the characters and relationships I had become invested in.

Even so, there's an enormous amount to admire here. Mason is a gifted writer, and many passages are genuinely beautiful. The novel is packed with intelligence, warmth, humor, and affection for human oddity. I just wish it had trusted the strengths that made the first part of the book so wonderful instead of disappearing down its own metaphorical rabbit hole. This fascinating, frequently delightful novel was 3.5 stars overall for me, rounded up because the story was exceptional in the beginning. 

Thank you to NetGalley and Random House for providing me with a copy of this book. It will be published on July 7, 2026.  

Ann Cleeves continues to prove why she is one of the most reliable voices in contemporary crime fiction with The Dying Light, a strong fourth installment in the Matthew Venn series. Set against a sweltering Devon heatwave, the novel combines a compelling mystery with the author's trademark exploration of family dynamics, community tensions, and the secrets people keep hidden behind carefully constructed facades.

The plot begins with the death of a young woman found in a swimming pool and the disappearance of her best friend, but what initially appears straightforward quickly grows more complex. Cleeves expertly peels back layer after layer of deception, drawing connections between local residents, holidaymakers, politics, social media, and long-buried grievances. The oppressive summer heat and the claustrophobic atmosphere of a small community under scrutiny create a palpable sense of tension throughout.

What continues to elevate this series for me, however, is Matthew Venn himself. In this novel, he feels increasingly confident and mature in his role as a detective. He has grown into his leadership position, trusting his team while still displaying the empathy and thoughtful observation that make him such an effective investigator. Rather than relying on dramatic breakthroughs, Venn solves cases by listening carefully and noticing what others overlook.

I also appreciated the continued development of his personal life. His relationship with his husband, Jonathan, remains one of the series' strengths. Their marriage feels authentic and lived-in, providing warmth and stability amid the darkness of the investigation. Cleeves portrays their partnership with a quiet tenderness and respect that adds emotional depth without overwhelming the mystery.

Equally compelling is Matthew's still-fractured relationship with his mother. The wounds left by his upbringing in the strict religious community that rejected him have not magically healed, and the novel continues to explore the complicated mixture of love, resentment, obligation, and grief that defines their connection. These scenes add a layer of emotional realism that makes Matthew far more than just another detective protagonist.

This book was four stars for me. My only reason for not rating the book higher is that some sections felt a bit slower than necessary, particularly in the middle, as the investigation broadened and the cast of suspects expanded. Still, the payoff is satisfying, and the resolution feels both believable and emotionally resonant.

The Dying Light is a thoughtful, character-driven mystery that balances an intricate plot with genuine emotional insight. Fans of the series will enjoy seeing Matthew Venn continue to grow both professionally and personally, while newcomers will find a well-crafted crime novel that stands comfortably on its own. I am anxiously looking forward to the next book in the series. Thank you to NetGalley and St. Martin' Press for providing me with a copy of this book. It will be published on September 29, 2026. 

Now I'd love to know what you're reading!  

Unraveled Wednesday: 6/10/26

I’m happy to join Kat and the Unravelers today with a new project on my needles. It was hot last week and I had an unusually busy social calendar, so I didn't work on Justin's hat at all. This week is moderately busy but my new project is wonderfully portable and easy to pick up whenever I have a few spare minutes. 

I was at a loss about what to make Ryan for Christmas. He already has plenty of handwarmers, scarves, hats, and potholders. He doesn’t wear sweaters (which is just as well, since I rarely knit them). But when I was at his house the other day, a lightbulb went off: dish towels! 

Ryan cooks for us whenever we visit and cooks for himself most days as well. The other day I noticed he was using a truly ratty dish towel, complete with multiple holes. I didn’t even nag him about it. Instead, I thought that three or four handknit dish towels would make a perfect Christmas gift, and some wonderfully relaxing summer knitting for me.

I ordered some Dishie and Cotlin from KnitPicks, but while I’m waiting for the yarn to arrive, I cast on this lovely bright blue cotton for a Chili Pepper Red Kitchen Towel (although mine is obviously not red). The pattern is a simple two-row repeat, and I enlarged it slightly because I’m not a fan of skimpy kitchen towels.

I have three or four other towel patterns I’d like to try, and I think knitting a collection of dish towels for Ryan will be the perfect companion project while I work on the duplicate stitching for Justin’s hat. If I have time, and if I’m not completely tired of knitting with cotton, I may even make one or two for myself.

What are you making as we approach mid-June?

 

Read With Us: Time for a Discussion

 

Today is the discussion day for our Read With Us spring book, Good People by Patmeena Sabit. 

Kym, Carole, and I are each posting a discussion question or two on our blogs today, and you are welcome to respond in the comments. I would also encourage you to reply to others' comments if you choose.  This is a book discussion, after all, so there are no correct answers or right opinions. I'm really looking forward to discussing this book. I raced through this book the first time I read it, and then read it a second time where I discovered many things I had missed or forgotten. I think this discussion will be valuable for me, and I hope for others of you as well. 

Good People seems especially well-suited to discussion because it raises questions about truth, family loyalty, reputation, immigration, community judgment, and the limits of perspective. Here is my question: The novel repeatedly asks readers to reconsider their judgments. What do you think are the most important lessons the book offers about understanding other people?

I'll be glad to share my thoughts about our questions tonight during our Zoom discussion. These questions on our blogs and the Zoom discussion are your chance to express your ideas. So what do you think? I can't wait to hear your thoughts! (And I'm counting on our discussion to give me fresh perspectives in my own thinking about this unique novel.)

The in-person Zoom discussion will be at 7:00 pm Eastern this evening. If you haven't RSVP'd to Kym already you can send me an email (the email address is in the upper right) and I will make sure you get an invitation with the Zoom link. I hope to see you there!

Read With Us Lounge: 6/8/26

 

One of the quietest pressures many readers carry has nothing to do with time or attention span. It’s the endless chorus of reading “shoulds.”

We should read the classics.
We should read the prize winners.
We should finally tackle that intimidating novel everyone else seems to have read in college.
We should read serious books, educational books, important books.
We should read book series in order.
We should keep up with best sellers.
We should always have an audiobook going while we fold laundry, commute, exercise, or walk the dog.
We should finish every book we start.

At some point, reading can begin to feel less like pleasure and more like homework with no due date.

One of the things we hope to do in the Read With Us Lounge this summer is gently question those “shoulds.” Not because classics or award winners or ambitious reading goals are bad (they absolutely aren’t) but because reading is deeply personal, and our reading lives change over time. The books that nourish us at one stage of life may not be the books we need at another.

Sometimes the most meaningful reading experience comes from picking up the exact “wrong” book at the exact right moment.

Maybe you discover that you actually prefer reading contemporary romance to literary fiction. Maybe you abandon a 600-page masterpiece halfway through and feel relieved instead of guilty. Maybe you read children’s books for comfort, reread old favorites from your teenage years, or spend an entire summer immersed in mysteries, cookbooks, essays, graphic novels, or cozy fantasy. Maybe you decide silence is better than forcing yourself to listen to audiobooks just because everyone else seems to multitask their reading.

Challenging our reading “shoulds” can feel surprisingly uncomfortable at first. Many of us learned early on that some books were “good for us” while others were considered fluff, escapism, or a waste of time. But joy matters. Curiosity matters. Rest matters. Reading for delight matters.

And often, when we let go of obligation, something unexpected happens: we read more honestly. We become more adventurous. We notice our real tastes instead of the tastes we think we’re supposed to have. We stop performing as readers and start becoming ourselves again.

That doesn’t mean abandoning challenging books forever. Sometimes we truly want to wrestle with a classic or work our way through a demanding nonfiction title. But there’s a difference between choosing a difficult book because we’re interested in it and forcing ourselves through it out of guilt or fear of not being “well read.”

This summer, consider asking yourself:

• What reading “shoulds” have shaped my reading life?

• Which ones actually enrich my reading experience?

• Which ones make reading feel stressful, competitive, or performative?

• What kinds of books do I secretly love?

• What would happen if I gave myself full permission to read exactly what I want?

Maybe the answer is that you really do love classics. Maybe the answer is dragon-filled fantasy novels, celebrity memoirs, nature writing, romance, rereading childhood favorites, or checking out giant stacks of random library books with no plan whatsoever.

All of it counts.

I'll start by admitting that I have occasionally chosen a book to read because it seems like everyone is reading it, and I don't want to miss out. The latest example of this is The Unselected Journals of Emma M. Lion. I checked out the first four volumes from hoopla and happily started listening. Over the course of a week, I thought that maybe I was just more interested in other books and returned them. I  tried twice more to listen to Volume I, and have finally decided these are just not for me. All telling, no showing, and just too much forced whimsy. I finally admitted that these books are just not for me at this time. I felt quite a sense of relief when I gave myself permission to stop trying and move on. 

Be sure and check with Kym and Carole for their take on reading "shoulds". 

So tell us: What “shoulds” do you carry around reading? Have you challenged any of them? And when you do, are you happier as a reader? We would love to know!  

Books on Thursday

I finished two books this week, and they were both a little outside of my usual reading. Sarah recommended this first one, and since I seem to be on a memoir streak, I gave it a try. 

In How to Lose Your Mother, Molly Jong-Fast writes with a voice that is unmistakably her own, sharp, self-aware, anxious, funny, exhausting, and often brutally candid all at once. The memoir moves quickly between humor, resentment, grief, celebrity gossip, family history, and the slow devastation of Erica Jong’s dementia. At times the tone feels almost frenetic, but that energy also feels true to the life she’s describing. Even when I wasn’t fully invested, I was rarely bored.

One of the most compelling aspects of the book is its complicated portrait of motherhood and daughterhood. Jong-Fast clearly spent much of her life longing for stability and attention from a mother who was consumed by fame, relationships, ambition, her own needs, and addiction to alcohol. The title itself captures the emotional core of the memoir: how do you mourn a mother you never really had in the first place? Some passages about caregiving, aging, and anticipatory grief were genuinely moving.

I listened to the audiobook, which added another interesting layer to the experience. Molly Jong-Fast has a very distinctive narration style and voice. At first I found it a little jarring , clipped, intense, almost breathless at times and strident at others , but as the memoir went on it started to feel perfectly matched to the story she was telling and the emotional chaos underneath it.

In the end, I think readers who enjoy messy family memoirs, literary gossip, and emotionally complicated mother-daughter stories will probably get the most out of this one. I didn’t love every moment, but I appreciated its honesty and refusal to sentimentalize difficult relationships. This is a story about a little girl who didn't get what she needed from her mother while she was growing up, and that's a sad story no matter the circumstances. Three and a half stars.

Sally Hepworth has built a reputation for writing domestic suspense with sharp humor and memorable characters, and Mad Mabel leans heavily into both strengths. Part mystery, part character study, and part dark comedy, this novel follows eighty-one-year-old Elsie Mabel Fitzpatrick, a woman whose prickly exterior hides a lifetime of secrets, and possibly a trail of bodies.

The strongest aspect of the book is undoubtedly Mabel herself. She's nosy, opinionated, unapologetically difficult, and far more complex than she initially appears. Hepworth does an excellent job balancing Mabel's sharp edges with enough vulnerability to make readers invested in her story. The friendship that develops between Mabel and her young neighbor Persephone is also unexpectedly charming and provides much of the novel's heart.

The dual timelines gradually reveal Mabel's past, and while the mystery kept me turning pages, some of the twists felt more entertaining than surprising. The pacing occasionally lagged a bit in the middle. The novel's blend of humor and darker subject matter is mostly successful, though at times the tonal shifts felt a little uneven.

What ultimately makes Mad Mabel work is its exploration of justice, redemption, and the assumptions we make about people based on age and appearance. It's a clever premise that asks readers to reconsider who gets labeled "dangerous" and who gets overlooked. It is an engaging, quirky mystery with a memorable protagonist and enough twists to keep suspense fans satisfied. Three and a half stars rounded up.   

Now I'd love to know what you're reading!  

Unraveled Wednesday: 6/3/26

I’m happy to join Kat and the Unravelers today with a completed barn owl in duplicate stitching. 

I've been sitting outside in the shade in the afternoon and stitching. This has worked well because I've got plenty of natural light to make stitching easier. It's also been really beautiful so I'm enjoying my time stitching outdoors. You can see a little bit of brown and gray to the right of the owl; those stitches mark the beginning of the ear of the next animal, a wolf.  

 

I'm still knitting dishcloths as a no-stress break from stitching, but I don't think you need to see a photo of a couple of dishcloths. They are definitely not too exciting, but I do have an idea for a different, small, non-stressful bit of knitting. I'll try to cast that on this week and see what my idea looks like.  

 

What are you making this first Wednesday in June?  

Read With Us Lounge: 6/1/26

Welcome to the Read With Us Lounge, our brand-new online adult summer reading program!

This summer, we’re throwing out the rules, the pressure, the reading quotas, and the guilt. Read With Us Lounge is built around one simple idea: No rules. Just fun. 

We know that many of us carry around a lot of ideas about what “counts” as good reading. Maybe we think we should be reading more classics, more nonfiction, more award winners, fewer thrillers, fewer romances, fewer rereads, fewer graphic novels, listening to fewer audiobooks. Maybe we feel guilty for abandoning books or for reading something light when the world feels heavy.

This summer, we’d like to challenge those notions together.

Read With Us Lounge is an anti-book bingo experience. No rules. No assigned categories. No pressure to optimize your reading life. Just an open invitation to read whatever feels right to you.

Want to spend the summer immersed in cozy mysteries, giant fantasy novels, beach reads, food writing, poetry, fan fiction, childhood favorites, or books with dragons? Excellent. Want to reread beloved books instead of chasing the newest release? Wonderful. Want to listen to audiobooks while gardening or walking the dog? That's great, too.

Our goals are simple:

• Challenge the assumptions we hold about reading and books
• Encourage joyful, pressure-free reading
• Build camaraderie and community through questions, conversations, and shared experiences
• Gather for a couple of casual LOUNGE hang-outs via Zoom
• Distract ourselves from the daily horrors in the news for a little while

Throughout the summer, look for our blog posts on Mondays where we’ll post discussion prompts, conversation starters, and questions designed to get us thinking and talking. These are definitely not meant as a test of whether you “did the homework” because there is none. There are no reading minimums and no expectations except kindness and curiosity.

Think of the Lounge as a comfortable chair, a cold drink, a stack of books, and a group of fellow readers who are happy you showed up exactly as you are.

So bring your library stack, your neglected TBR pile, your weird reading habits, your favorite rereads, and your enthusiasm. Or your reading slump. Those are welcome too.

Read what you want. Join us in the Lounge this summer for No rules. Just fun.