Highly Reasonable
Striving to be highly reasonable, even in the face of unreasonableness. Reading, knitting, and some alcohol may help.
Tuesday, March 10, 2026
Spring Cleaning (Sort Of)
Friday, March 6, 2026
One Friday Letter
I've only got one Friday letter today, but I think it's a good one. The situation appealed to me for many reasons - there was a true disparity; the resolution involved knitting; the knitters drew attention to the problem without violence or vandalism, and the Danish government responded with a meaningful amount of money to address the issue. Read this article and see what you think.
Dear Danish Knitters,
Way to go! I love that Louise Moerup first discussed why there weren't more statues of real women with her son on the way to school, and even better, then she did something unique and creative. She knit a lovely halter dress for a naked Venus statue, but this was not because she was disturbed by nudity. “It wasn’t really the nudity that made me want to knit her dress,” Moerup said, “but the absence of women who are remembered for their achievements. Knitting the dress was my humorous way to make people look twice and notice what’s missing.”
Wednesday, March 4, 2026
Unraveled Wednesday: 3/4/2026
I've been thinking about casting on a second project and I think I've chosen one. Years ago (13 or so) I knit this hat for Justin. He wore it several times, but he was in college at the time, so the hat often ended up on the floor of his dorm room. He brought it home and said that he didn't know how, but the hat had gotten a few small holes in it. There were at least five or six holes and I felt like crying, so I picked up the stitches around the holes the best I could and then just put the hat into the freezer. I suspected the holes were from carpet beetles, and I hoped the freezer would kill them. They are probably dead after 13 years, but realistically, I think it would be easier to just knit a new hat and duplicate stitch the animals once again onto the new hat. It took me over four months to knit and stitch originally but it could be a Christmas present if I started the new one in the near future. I think I might have extra balls of the original yarn I used, but that will require digging into deep stash. I also have to find the patterns for the animals. I might try gathering the materials together in the next week or so, or ordering new yarn if that's what I need to do. I've got my fingers crossed that this actually works out.
MacLaverty writes with
restraint and precision. The prose is spare but thoughtful, and there’s
an understated elegance to the way he captures memory, regret, and the
strange intimacy of a shared life. The alternating perspectives between
Gerry and Stella work well, highlighting how two people can inhabit the
same experiences yet carry entirely different emotional truths. I
especially appreciated the exploration of faith, guilt, and aging. These
big themes are handled in a human, grounded way.
That said,
while I completely understood and could easily relate to feelings that
people engaged in a decades-long marriage might experience, that doesn't
easily translate to a book that people might enjoy reading. The novel’s
quiet realism too often tips into emotional monotony. The conflicts are
internal, the revelations subtle, and the forward momentum minimal. At
times, I found myself admiring the craft more than feeling compelled by
the story.
There’s no doubt that Midwinter Break is a
mature and carefully constructed novel. For readers who appreciate
introspective literary fiction and nuanced character studies, it will
likely resonate deeply. For me, though, the experience felt more
contemplative than captivating. Thoughtful and well-written, but not
quite moving enough to linger long after the final page. This was three stars for me.
During the winter, I worry about the birds, foxes, and deer that visit our yard on a regular basis. In Winter World, Bernd Heinrich explains that many of them have mechanisms and ways to survive so maybe I don't need to worry too
much. What could have been a straightforward natural history of how
animals survive the cold becomes, in Heinrich’s hands, something more
intimate: a meditation on adaptation, endurance, solitude, and awe.
Blending
memoir with scientific observation, Heinrich documents the winter lives
of creatures in and around his Maine woods, chickadees that can lower
their body temperature to survive brutal nights, frogs that freeze solid
and thaw in spring, insects that rely on antifreeze-like chemicals,
mammals that gamble on stored fat. His explanations are clear and often
fascinating, and he has a gift for translating complex biological
processes into language that feels accessible without being simplistic.
That
said, I had mixed and complicated feelings about some of the
experiments he describes. Several of them feel driven primarily by
personal curiosity rather than a clearly articulated research framework,
and there are instances where he captures wild animals to conduct
experiments that ultimately result in the animal’s death. While Heinrich
is transparent about what he’s doing, and while such practices may not
be unusual in certain scientific contexts, reading these passages was
unsettling. At times, the tone borders on casual in ways that made the
work seem more scientifically irresponsible than rigorously controlled.
The
book also straddles an interesting line between science and memoir. It
is undeniably grounded in biology, but it also contains plenty of
personal reflection and non-scientific assumptions about behavior,
motivation, and meaning in the natural world. For some readers, that
blend will be the book’s greatest strength; for others, it may blur the
boundaries between observation and interpretation a bit too freely.
Ultimately, Winter World
transforms the coldest season into one of quiet brilliance. Even with
my reservations, I finished the book more attentive to the frost on my
own windows, more curious about the birds at my feeder, and more aware
of the invisible dramas unfolding in the snow. It’s an absorbing,
thought-provoking read, one that inspires wonder, even as it invites
debate about the costs of curiosity. Three and a half stars rounded up.
What are you making and reading this first Wednesday in March?
Monday, March 2, 2026
Weekending: 2/28 and 3/1
Weekends in my world aren't a lot different than weekdays. I did take a couple of decent photos this weekend, so I can use them to tell you about my mostly dull weekend. Let's see what I can come up with.
John was talking to his brother at his house and their conversation was getting a bit boring for me so I took a little walk into the woods. I was lucky enough to see this hawk, but I wasn't sure what kind it was. Google tells me that it's a red-shouldered hawk and I think it's quite beautiful.
Friday, February 27, 2026
Friday Letters
Dear DD,
Wednesday, February 25, 2026
Unraveled Wednesday: 2/25/26
I’m happy to join Kat and the Unravelers today with a start on the Dream Hitchhiker. It is a dream to knit with this yarn, and for now I'm knitting on it monogamously in hope of finishing it in good time.
It was too dark outside to take a good picture of this by the time I thought about it, but I'll try to do better next week. I'm doing a row of yarnovers after every group of six teeth and stopping to admire it and pet its softness then, too. This is really a joy to knit.
I've only got one knitting project but I did finish two books. Good People by Patmeena Sabit is one of those novels that quietly unsettles you and then refuses to let go.
At
the center of the story is Zorah Sharaf, beloved eldest daughter, model
student, the pride of a family who clawed their way from refugee
beginnings to life in an exclusive American neighborhood. But after an
unthinkable tragedy, the narrative fractures. Was Zorah perfect? Was she
troubled? Was the Sharaf family truly living the American dream or just
performing it?
What makes this novel especially compelling is
its unique structure. The story is told exclusively through statements
from friends, neighbors, teachers, community members, and reporters all
weighing in. There’s no traditional narration, no access to a
character’s private thoughts. Instead, readers piece together the truth
through interviews and commentary. The format feels almost like reading
court transcripts or investigative journalism, and it creates a
fascinating push-and-pull effect. Just when you think you understand
what happened, a new voice reframes everything.
That structure
also underscores one of the novel’s most powerful themes: how truth is
shaped by perspective and also by bias. Through these layered
testimonies, Sabit offers a sharp, thought-provoking exploration of
immigration, assimilation, and the crushing expectations placed on
“model” families. The Sharafs are praised as a success story until they
aren’t. The same community that once celebrated them becomes quick to
judge. Prejudice simmers just beneath polite suburban civility, and the
novel captures that tension beautifully.
If I have one small
critique, it’s that the format, while bold and effective, occasionally
creates emotional distance. Because we never fully inhabit Zorah’s
interior life, some moments feel intentionally elusive. But maybe that’s
the point: we never truly know someone through secondhand accounts, no
matter how confident the speaker sounds.
Overall, Good People
is smart, unsettling, and deeply relevant. It’s a book that invites
discussion, about immigration, family, reputation, belonging, and the
dangerous ease with which communities rewrite someone’s story. I think
this would make a wonderful book for a book club discussion. 4.5 stars
rounded up.
In Where We Keep the Light, Josh Shapiro
offers a thoughtful, measured reflection on public service, faith, and
what it means to “show up” for your community. Part memoir, part
governing philosophy, the book traces his path from knocking on doors as
a young volunteer to leading the Commonwealth of Pennsylvania through
complicated and often contentious moments.
I’ll admit whenever a
prominent politician releases a memoir, especially one still relatively
early in their national trajectory, it’s hard not to view it through a
presidential lens. Writing a book can feel like a box that gets checked
when someone is considering a future run for higher office. That said,
even with that awareness, this was still a genuinely solid and engaging
read.
What works best here is Shapiro’s emphasis on practical
governance. He returns again and again to the idea that government can
function well if leaders are willing to listen carefully, build
coalitions, and tackle unglamorous problems head-on. His stories from
the campaign trail and from his time in office feel grounded rather than
grandiose. There’s a steady through-line of faith and family, but it’s
presented in a way that feels personal rather than preachy.
As
someone who doesn’t live in Pennsylvania but just next door in New
Jersey, I found it interesting to read about issues that ripple across
state lines, economic development, infrastructure, public safety, and
the constant effort to restore trust in institutions. Even from a
neighboring state, it’s clear that Shapiro takes the mechanics of
governing seriously.
Is it a bit polished? Of course. Is there
careful positioning? Absolutely. But that’s to be expected in political
memoir. What elevates it to four stars for me is the tone: pragmatic,
optimistic without being naive, and focused on the idea that more unites
Americans than divides us.
If this book is part of laying the
groundwork for a presidential run, it’s an effective introduction. Based
on what I read here and in the news about his governorship, I think Mr.
Shapiro would do a fine job as president. Here’s hoping that that
happens.
What are you making and reading this last Wednesday in February?
Monday, February 23, 2026
Catching Up on Books
I had an embarrassment of riches in Advance Readers' Copies and I'm just now getting caught up in reading them. This post will serve to "officially" catch up by sharing my thoughts on three books. I thought they were all worthwhile reads and I really loved one of them. I'm writing this post ahead of time on Saturday for publication on Monday because we have a blizzard predicted to start on Sunday, with 16-20 inches of snow and 50-60 mph winds. Once again, I'm keeping my fingers crossed that we don't lose electricity, but even if we do, hopefully you'll still be able to read about these three books.
Fairy tale retellings are nothing new. Shelves are lined with fractured princesses, redeemed villains, and revisionist happily-ever-afters. But Lady Tremaine by Rachel Hochhauser stands out from the crowd as an exceptionally well-crafted reimagining that doesn’t simply flip the script on Cinderella’s “wicked stepmother,” but interrogates how such a woman might have come to be called wicked in the first place.
Hochhauser’s Etheldreda, Ethel to those who
know her best, is a widow twice over, clinging to the brittle
scaffolding of respectability in a manor house that mirrors her own
circumstances: grand on the outside, quietly crumbling within. She is
sharp, strategic, and fiercely devoted to her daughters’ survival in a
world that offers women very few safe harbors. In this version of the
story, ambition isn’t vanity; it’s survival.
What makes this
retelling so compelling is that it doesn’t excuse cruelty, but it
contextualizes it. Through Ethel’s eyes, we see how desperation, grief,
and the razor-thin margins available to women can calcify into hardness.
Hochhauser brilliantly illustrates how, in a patriarchal system where
inheritance, security, and status are controlled by men, women are
forced to fight relentlessly for themselves and their children. Marriage
is not romance; it is infrastructure. Reputation is currency. A royal
ball is not magic; it is strategy.
The novel’s emotional core is
Ethel’s love for her daughters, a love that is both tender and
ferocious. When a royal engagement accelerates in unsettling ways and
dark secrets surface within the monarchy, Ethel must confront the true
cost of the future she’s been so carefully engineering. Her choices,
particularly regarding her prickly, resistant stepdaughter, are what
elevate this book beyond a simple villain redemption arc. Hochhauser
shows how stories are shaped by perspective, and how history (or
folklore) often flattens complicated women into cautionary tales.
The
writing is lush without being overwrought, and the pacing remains
propulsive, especially as political intrigue deepens. There’s romance,
yes, but it is the romance of agency and survival as much as it is
between individuals. The peregrine falcon perched at the edge of the
household feels like a perfect symbol: beautiful, dangerous, and trained
to survive.
If I’m holding back half a star, it’s only because a
few secondary threads could have been explored even further. But that’s
a small quibble in what is otherwise a gripping, thoughtful, and
emotionally resonant retelling.
In a genre crowded with glass slippers and spinning wheels, Lady Tremaine
reminds us that sometimes the most interesting woman in the room isn’t
the girl in rags; it’s the one fighting to keep the roof from
collapsing. This one was a glowing five stars for me.
Thank you to NetGalley and St. Martin's Press for providing me with a copy of this book. It will be published on March 3, 2026.
The wartime sections are especially
strong. Tessa’s work with the Special Operations Executive brings
tension and moral complexity, while Theo’s experiences as an RAF pilot,
and later as a wounded, grieving veteran, are rendered with sensitivity
and restraint. Theo’s identity as a clandestinely gay man in a period
when homosexuality was criminalized adds another layer of quiet danger
and injustice, and Hall handles this aspect of his life with care rather
than melodrama.
The novel’s dual timelines largely work,
particularly the postwar storyline involving Edie, a PhD candidate
researching the SOE. Her partnership with the aging Theo provides a
moving frame for uncovering Tessa’s fate and exploring how grief
reshapes a life over decades. That said, the contemporary sections
occasionally slow the novel’s momentum, especially when compared with
the immediacy and emotional intensity of the wartime chapters.
Where
the book truly shines is in its portrayal of love - between siblings,
between comrades, and in the redemptive connections that can arise
unexpectedly from shared loss. While not every narrative strand carries
equal weight, The Shock of the Light is a thoughtful, affecting
novel about courage, secrecy, and the long shadows cast by war. Fans of
character-driven historical fiction will find much to admire here.
I don’t often judge a book by its cover, but I was immediately struck by this title and knew I had to read the book. Everything Was Beautiful and Nothing Hurt announces its intentions right away; this is a meditation on mortality, love, and the fragile beauty of being alive.
This
is also a surprisingly difficult book for me to rate. The original
title and premise feel like an easy four stars all on their own, and in
places the writing rises to five-star territory with quiet, luminous
passages that capture grief, tenderness, and human connection with real
grace. At the same time, there were sections that felt thinner or more
familiar, where the novel landed closer to two or three stars for me.
Ben
Reeves gives us a modern, quietly human incarnation of Death in Travis,
who wears jeans, lives in a drab town, and approaches his work with
gentleness, patience, and deep respect for the natural order of things.
His role is not to interfere, only to witness and to comfort, and the
novel’s early chapters are especially strong in conveying the dignity
and tenderness of these final moments. There’s something profoundly
soothing in the way Reeves allows Death to listen without judgment.
The
emotional center of the book emerges when Travis forms a connection
with Dalia, a midwife, and her spirited daughter Layla. The contrast
between someone who ushers life into the world and someone who
accompanies it out is handled with warmth and clarity, and Layla’s
presence adds lightness without ever feeling forced. Through them,
Travis begins to understand attachment, joy, and loss in ways that
complicate his carefully maintained detachment.
This is a short
novel, and its brevity is both a strength and a limitation. The writing
is often lovely and sincere, but some ideas feel introduced and resolved
a bit too quickly, as though there were room for deeper exploration
that the book chooses not to take. Still, the emotional impact is real,
along with plenty of compassion.
Ultimately, this is a gentle,
thoughtful book about accepting impermanence and finding meaning anyway.
I settled on 3.5 stars rounded up. The ambition, compassion, and
moments of truly beautiful writing make this a worthwhile read, even if
it doesn’t fully cohere at the same level throughout. For readers drawn
to gentle reflections on life, love, and death, there is much here to
appreciate. This one was four stars for me.
Thank you to NetGalley and Simon & Schuster for providing me with a copy of this book. It will be published on July 7, 2026.
Here's hoping you're safe, warm, have plenty of books to read, and electricity, all at the same time!


















