I’m happy to join Kat and the Unravelers today, with a miniscule start to a second mitten and more of the Hitchhiker. It's been quite cold here, and temperatures in the single digits finally prompted me to start the second mitten.
I did read two books this week. The first was The Mindful Art of Space Making. This is a refreshingly practical book about
decluttering and making space, both physically and emotionally, without
the usual self-help fluff. April Scott Tandy offers a gentle,
compassionate approach that feels realistic rather than aspirational,
and that’s what ultimately makes it effective. This isn’t about dramatic
purges or aesthetic perfection; it’s about creating the conditions for
true, lasting change.
What I appreciated most is how grounded the
method is. The guidance is calm, thoughtful, and respectful of the fact
that many of us are deeply attached to our belongings for emotional
reasons. Tandy doesn’t shame that attachment; she helps you understand
it and work with it. Her advice on developing your own “compass
question” was helpful for me. It's a simple but powerful tool to guide
decisions when you’re stuck or overwhelmed. Likewise, her discussion of
how to notice and navigate difficult emotions instead of trying to
bypass them made this feel like real guidance, not just tidying advice.
With
April’s help, I genuinely feel like I may finally be able to deal with
the photos and objects I don’t truly want but have been holding onto out
of emotional obligation. That alone makes this book worth reading. It’s
also a great companion to her YouTube channel; the two together
reinforce the ideas in a way that feels supportive rather than
repetitive.
Four stars because change still requires honest
effort on the reader’s part, but this book gives you a better chance at
making that change stick. Now, if I could just convince my husband to
adopt these ideas, too.
The second book was an ARC; The Keeper is the final book in Tana French’s Cal Hooper trilogy, following The Searcher and The Hunter.
I read the first book, somehow missed the second, and still found
myself able to follow the characters and story quite well. French does a
careful job of providing enough context that nothing felt confusing or
incomplete.
That said, these books are likely to be even more rewarding if read in order. While The Keeper
could function as a stand-alone novel, the emotional depth, character
relationships, and long-simmering tensions clearly benefit from the
background laid in the earlier books. Knowing the history of this small
Irish community and its central figures adds layers to what unfolds
here.
The characters themselves are deeply human, interesting,
flawed, and multidimensional, and Ardnakelty, where the story takes
place, is almost a character in its own right. The town’s residents
share an unspoken understanding of how things are said and done, what
questions can be asked, and which ones are best left alone. Part of my
enjoyment of this novel came from trying to think like a resident of
Ardnakelty, viewing events through that quiet, communal logic rather
than from an outsider’s perspective.
As always with Tana French,
the real strength lies not just in the mystery but in the atmosphere and
the people who inhabit it. The pacing is deliberate, the setting richly
drawn, and the moral questions feel grounded and human rather than
flashy or contrived. This is less about plot twists and more about
consequences, what people carry, what they hide, and what eventually
surfaces.
A strong and satisfying conclusion to the trilogy, one
that reinforces why French remains such a compelling writer of place,
character, and quiet menace. Four and a half stars rounded up.
Thank you to Edelweiss+ and Viking for providing me with a copy of this book. It will be published on March 31, 2026.
What are you making and reading this week?











