I’m happily joining Kat and the Unravelers today, with progress on Justin's boot socks.
What are you making and reading this week?
Striving to be highly reasonable, even in the face of unreasonableness. Reading, knitting, and some alcohol may help.
I’m happily joining Kat and the Unravelers today, with progress on Justin's boot socks.
What are you making and reading this week?
Hello, Read With Us friends! If you're looking for a rich, surprising novel to spark deep conversation, psychological exploration, and food for the mind and soul, let me tell you a little bit about The Antidote by Karen Russell. Below are five compelling reasons why I think this book is a wonderful choice for our next read.
1. A haunting setting that blends history and magic.
The novel opens in the Dust Bowl era of the 1930s in a small Nebraskan town called Uz, already in collapse from drought, economic hardship, and historical erasure, and then a wild dust storm (on “Black Sunday”) lays bare the artificiality of the settlement, the cost of forgetting, and the fragility of memory. Russell layers in magical-realism (a “prairie witch” who stores memories, a time-travelling camera, a sentient scarecrow) to explore real themes of land-abuse, Indigenous erasure, and environmental collapse. For our book club, this means there’s both vivid story and rich metaphor: you’ll be reading a story of characters, while also talking about what the Dust Bowl means, what memory means, what our own era echoes.
2. Multi-layered characters whose stories interweave.
There’s Antonina (the “Prairie Witch” nicknamed the Antidote) who deposits other people’s memories; Harp Oletsky, the Polish-American farmer whose land miraculously thrives amid the drought; his niece Dell, a basketball-loving girl apprenticing under the witch; a Black photographer working for the New Deal whose camera shows more than meets the eye. Because the novel moves among many viewpoints, we'll have plenty to talk about: whose story moved you most? Which viewpoint you found strongest or most compelling — and why.
Also interesting: the characters live with trauma, inheritance, place, and memory. After we read about someone leaving an abusive marriage in Nesting, you may especially appreciate how Russell handles trauma, memory, the “vaulting” of what we don’t want to remember.
3. Prose with ambition: beauty, strangeness, risk.
Russell is known for her inventive fiction (think Swamplandia!) and here she takes a big swing: the reviews talk about the “spell-binding” quality of her writing and how she uses metaphor and magical realism to make us think differently about American history. We are asking a bit more from you this time. For our book club, I think that’s a gift: you’ll find passages to re-read, lines to linger over, metaphors to unpack. I'm imagining that I might highlight how Russell describes dust, memory, wind, land, even basketball.
4. A narrative that connects to our time.
Though set in the 1930s, the book engages with themes still urgent today: climate collapse, settler amnesia, how we treat land, how we remember (and erase) history. For our Read With Us conversation, this means we won’t just ask “What happened?” but “What does this say about us now?” and “How does memory (personal, cultural, collective) tie into our lives today?”
5. Ideal for book-clubs because it offers both beauty and tension.
There’s tension: environmental disaster, murder, secrets, memory theft, going to the edges of what characters can hold. There’s beauty: language, character, strangeness, wonder. I think that mix can only add to our discussion.
In an interview with BookPage, Karen Russell said she wanted to write a story where an apocalyptic future for us isn’t a foregone conclusion. “You can’t imagine a viable future, a world that’s kinder and more just than what we’ve got going today, without returning to the past,” Russell says. This sounds like a book for me. I've just started it and I'm finding it's not a book I can rush through, but it is a delicious read.
Kym, Carole,
and I will be talking about the book, giving additional information,
and doing promotional posts throughout November. Discussion day for The Antidote is scheduled for Tuesday, January 6, 2026 at 7:00 pm Eastern time, so mark your calendars. We'll ask questions on our blogs that day and then host the always fun, educational, and entertaining Zoom discussion.
Whether you're new to Karen Russell or already a fan, we hope you'll Read With Us and discover (or revisit since I know some of you have already read it) this amazingly creative novel. I think it's ambitious but readable, magical but grounded, beautiful but thought-provoking. It offers spectacle and depth, characters you’ll care about (and question), metaphors you’ll carry after the last page, in preparation for a discussion you'll be glad you had. I'm already looking forward to it and I hope you'll Read With Us!
I have a few things that aren't really enough for a post on their own, so it must be time for a Bits and Pieces post.
Making - Venison stew, split pea soup, homemade dinner rolls, and zucchini bread. Now is the time to start using all of the things we froze over the summer.
Finding Some Happiness and Hope - In all of the positive election results. I don't think I've felt this happy after reading the news in a long, long time. From our governor-elect Mikie Sherrill in NJ to the VA governor to all three Supreme Court judges in PA being retained, and a new Sheriff in Bucks County PA that will not be cooperating with ICE’s 287(g) program, it was a day of good news. Not just in the results, but there also seemed to be a much bigger voter turnout. Voter engagement is always a good thing!
Watching - The final of Great British Bake Off. I think I know who is going to win (Jasmine) as the other two contestants in the final have had some big baking mishaps. We'll see ...
I’m happily joining Kat and the Unravelers today, with a completed and modeled Rainbow Scarf for Ryan and 75% of the first boot sock for Justin.
There is still a needle in the scarf because I wanted to make sure the length was okay before I bound off. Ryan has deemed the length perfect so I will bind off this week and put the scarf in my Christmas pile o' gifts. I do kind of miss working on it and I have plenty of yarn left, so I might make a scarf for myself some day.
What are you making and reading this week?
... you are lucky enough to have a couple of early Christmas cactus blossoms,
I hope your week is off to a beautiful start!
I read four books this week so I'll share my thoughts here with you. The two average ones are up first.
While I think Mr. Davis tried to be
somewhat evenhanded in presenting both the United States National Park
perspective and that of Native Americans, but for me he was not
completely successful. I came away with too many personal stories, too
much history told in a rather dull, textbook-like way, and not enough
from the Native American side of the story. For a book that sets out to
center those voices, their presence often felt secondary.
Still, I
appreciated Davis’s effort to grapple with such a difficult subject and
his willingness to confront the political and moral complexities of the
monument. A Biography of a Mountain is a thoughtful, if uneven,
read that may appeal most to history buffs and those curious about how a
single mountain can embody so many layers of the American story.
Thank
you to NetGalley and St. Martin's Press for providing me with a copy of
this book. It will be published on November 11, 2025.
I’ve read John Grisham since his early days, when his legal thrillers were taut, fast-paced, and nearly impossible to put down. Unfortunately, The Widow didn’t have that same energy for me. The setup, a small-town lawyer whose new client turns out to be more than she appears, had some promise, but the story moved at a sluggish pace and often meandered through subplots that didn’t add much tension or urgency.
Simon Latch is an interesting enough protagonist, and the premise of being wrongly accused should have made for a sharp, suspenseful read. Instead, the narrative felt underwhelming, more reflective and procedural than thrilling. Grisham’s writing is still smooth and readable, but the spark that once made his courtroom dramas so gripping just wasn’t here.
All in all, The Widow was an average read, but not the kind of tightly wound legal thriller I used to read Grisham for. This one was also a three star read.
I’m happily joining Kat and the Unravelers today, with a completed Rainbow Scarf for Ryan and the beginnings of what will hopefully be a pair of socks for Justin. I took the scarf along when I visited Ryan on Monday, asked him to make sure he tried it on for length before I left, and then we both forgot. It's a bit longer than six feet, but I left it on the needle so I can easily take out a few inches if he thinks it's too long. I'll post a proper picture when it's done/approved and bound off.
What are you making and reading this week?
I consider myself lucky for lots of reasons, but today it’s because I have a kid who cooks really good food for me. Ryan enjoys being in the kitchen, and since John’s garden happens to be at Ryan’s house, we usually head over there once a week. While John checks the garden, Ryan makes us lunch. (Our soil here in New Jersey has untreatable verticillium wilt that makes it unsuited for a garden here and is also slowly killing our trees, but that’s a sad story for another day.)
We used to go out to diners, but no matter what we ordered, Ryan would usually say he could make it better. (And honestly, he’s right.) These days he often asks if there’s anything we’re hungry for, and I usually tell him it’s chef’s choice - whatever he feels like making is fine with me. He’s made us omelets, egg salad, grilled cheese, macaroni and cheese, hamburgers, sausage corn chowder, “supper on a bread slice” (a dish my mother used to make, but Ryan’s version is much improved), and his absolutely stellar onion soup gratinée.
Ryan sent me home with the leftovers. I am, without a doubt, very lucky.
Every year when my library puts up its Banned Books display, I can’t resist spending a little extra time browsing. There’s something both funny and thought-provoking about seeing which titles have landed on that list, and, in many cases, why.
This year, a few of the choices made me laugh out loud. Right there among the “dangerous” and “controversial” works were Bad Kitty and Captain Underpants. Really? Those mischievous cats and underwear-clad superheroes are what we’re worried about corrupting young minds?
When my sons were growing up in the 1990s, Captain Underpants books were a fixture in our household. They made the boys laugh, and, truth be told, they made me laugh, too. The idea that they’re banned for “offensive language,” being “unsuited for their age group,” or “encouraging disruptive behavior” is almost too funny to me. My kids were perfectly capable of coming up with their own disruptive behavior without any help from a cartoon character in his underwear.
Banned Books Week (it was October 5 -11 this year) is a good reminder of why libraries matter so much; they should be able to offer everyone the freedom to explore ideas, to question, to laugh, and to learn. Standing in front of that display each year, I’m grateful for the librarians who work hard to ensure those stories stay on the shelves, waiting for curious readers to discover them all over again. Checking out the books that make people uncomfortable are often the ones most worth reading.
I read several books this week but I'm saving a couple of them for a post I have planned for Friday. In the meantime, here is a slightly strange yet interesting book that I also read. Life, and Death, and Giants by Ron Rindo is one of those quietly
unusual novels that sneaks up on you with its tenderness. I picked it up
from my library’s shelves without quite knowing what to expect, and I
ended up genuinely touched by its mix of fable-like wonder and
small-town realism.
The story follows Gabriel Fisher, an orphan
born extraordinarily large (eighteen pounds and twenty-seven inches at
birth) whose life unfolds somewhere between myth and Midwest. Raised
first by an older brother and later by strict Amish grandparents who try
to hide him from the world, Gabriel’s journey is both physically and
spiritually outsized. When a high school coach discovers him working in
the fields, his secret life bursts into the open, setting off a series
of events that test faith, love, and community.
Rindo writes
beautifully about rural Wisconsin and the complex, sometimes
claustrophobic ties of family and belief. There’s a quiet moral weight
to the story, a sense that kindness and cruelty coexist in the same
hearts. I especially appreciated how the novel balanced magical realism
with grounded emotional truth.
That said, the pacing felt uneven
at times, and a few plot turns veered toward the sentimental or
predictable. Still, Gabriel himself is such a memorable character, both
gentle and formidable, that I found myself thinking about him long after finishing.
... you start out reorganizing the freezer and somehow end up baking a cake. It was one of those “If You Give a Mouse a Cookie” kind of days, but with a very happy ending.
We have three chest freezers, mostly because we freeze a lot of garden produce, and both John and Justin hunt. Every fall, I have to clean them out and reorganize things so I can actually find (and use) what’s inside. I finished one freezer and had just started on the second when I discovered a bag of cranberries I’d frozen, probably last Thanksgiving. I moved them to the fridge to thaw, and then thought about them every time I opened the door.
Here’s Laurie’s recipe, in case you’d like to try it, too:
It’s the third Thursday of the month, which means it’s time for A Gathering of Poetry - welcome!
There are plenty of mornings when I open the New York Times, NPR, or the BBC online, glance at the headlines, and think, I wish we didn’t live in such unprecedented times. I’ll admit that back when there wasn’t a new crisis every ten minutes, I took things for granted. I assumed the world was humming along about as smoothly as it could, and I could focus on my family and the small stuff of everyday life.
These days, I take very little for granted and often find myself longing for an ordinary day, just a calm, uneventful, ordinary day. This poem captures that feeling beautifully for me, and maybe it will for you, too.
This was a day when nothing happened,
the children went off to school
remembering their books, lunches, gloves.
All morning, the baby and I built block stacks
in the squares of light on the floor.
And lunch blended into naptime,
I cleaned out kitchen cupboards,
one of those jobs that never gets done,
then sat in a circle of sunlight
and drank ginger tea,
watched the birds at the feeder
jostle over lunch's little scraps.
A pheasant strutted from the hedgerow,
preened and flashed his jeweled head.
Now a chicken roasts in the pan,
and the children return,
the murmur of their stories dappling the air.
I peel carrots and potatoes without paring my thumb.
We listen together for your wheels on the drive.
Grace before bread.
And at the table, actual conversation,
no bickering or pokes.
And then, the drift into homework.
The baby goes to his cars, drives them
along the sofa's ridges and hills.
Leaning by the counter, we steal a long slow kiss,
tasting of coffee and cream.
The chicken's diminished to skin & skeleton,
the moon to a comma, a sliver of white,
but this has been a day of grace
in the dead of winter,
the hard cold knuckle of the year,
a day that unwrapped itself
like an unexpected gift,
and the stars turn on,
order themselves
into the winter night.
====
You are invited to the Inlinkz link party!
Click here to enterI’m happily joining Kat and the Unravelers today, with a completed pair of shortie socks. (Kat is on vacation but Wednesdays are always Unraveled for me.) I tried to take a photo in the wild, but it was disappointing at best.
I finished two books last week. They were both four stars for me but I'll apologize up front since they are both ARCs that won't be published until next February. This Is Not About Us by Allegra Goodman
is a beautifully written collection of interconnected vignettes that
together form a warm, funny, and deeply human portrait of a family that
can’t seem to stop tripping over its own love. The Rubensteins,
particularly sisters Sylvia and Helen, anchor the stories, but Goodman
widens her lens to include their children and grandchildren, capturing
the shifting dynamics, misunderstandings, and enduring bonds that
stretch across generations.
Goodman has always had a gift for
observing the small gestures and quiet tensions that make family life
both maddening and precious. Here, she distills those moments into
perfectly honed snapshots, tiny domestic scenes that tell a much larger
story about belonging, memory, and forgiveness. Whether she’s writing
about an argument over an apple cake or the unspoken expectations
between parents and children, Goodman does so with warmth, wit, and
compassion.
Though the Rubensteins are a Jewish family, Goodman’s
insights into sibling rivalry, parental pressure, and the ache of loss
are universal. Readers of any background will recognize their own family
in these pages, the love, the stubbornness, and the moments of grace
that somehow keep everyone tethered.
This Is Not About Us
doesn’t demand to be read in a single sitting, but it rewards those who
linger over its pages, letting the connections between stories reveal
themselves gradually. A wise, affectionate, and quietly powerful book
about the way families fracture and heal again and again.
Thank you to NetGalley and The Dial Press for providing me with a copy of this book. It will be published on February 10, 2026.
Sadeqa Johnson’s Keeper of Lost Children
showcases her gift for weaving complex histories together with deep
emotional resonance. Set in the aftermath of World War II and spanning
decades, this novel brings together three seemingly separate lives,
Ethel, Ozzie, and Sophia, whose stories eventually converge in
unexpected and moving ways.
Johnson’s premise is powerful: she
shines light on the “Brown Babies” of postwar Germany, mixed-race
children born to Black American soldiers and German women, often left in
social limbo in both Germany and the United States, and ties that
painful history to questions of belonging and identity in the U.S. Civil
Rights era. The sections set in Occupied Germany are particularly
vivid; the imagery of ruined cities, loss, and resilience lingers long
after reading. Ozzie’s perspective, especially, offers a poignant look
at the contradictions of fighting for freedom abroad while facing racism
within one’s own ranks.
That said, the novel doesn’t always
maintain even pacing. The transitions between timelines can feel abrupt,
and at times the emotional impact of one story is diluted by the quick
shift to another. Some character motivations, especially Ethel’s, could
have used a bit more depth to match the strength of the historical
backdrop.
Still, Johnson’s elegant prose and compassion for her characters carry the book. Keeper of Lost Children
is both heartbreaking and hopeful, a meditation on motherhood, legacy,
and the ways love can endure across distance and time. It is a
thoughtful, moving, and worthwhile read for fans of layered historical
fiction. This was 3.5 stars for me, rounded up because I learned much
more about the mixed-race children born to Black American soldiers and
German women and how some of them fared after the war.
Thank you
to NetGalley and Simon & Schuster for providing me with a copy of
this book. it will be published on February 10, 2026.
What are you making and reading this week?
One of the most compelling aspects of Famous Last Words is its premise: the interview is conducted while the subject is still alive, but is only made public after their passing. This gives the subject freedom to speak candidly, unburdened by the fear of backlash or revisionism. Out of this raw honesty emerges something deeply intimate: a chance to let someone frame their own legacy, unfiltered.
In Goodall’s case, she approaches the interview with her full humanity, not just as a legend, but as the person who loved, doubted, fought, and hoped. Because of the format, viewers are offered a rare gift: we get to hear her final reflection, on her own terms.
Goodall never shied away from speaking truth - about conservation, politics, or humanity. This final interview is no exception. She’s playful, serious, expressive, and unafraid to critique global leaders. Yet she is also vulnerable: she discusses regrets, doubts, love, mortality. That blend of strength and softness makes her even more human and more inspiring if that's possible.
Rather than sensationalizing the “last words” angle, the show gives space for reflection. The host, Brad Falchuk, frames gentle but probing questions. In the later moments, he leaves the stage entirely so Jane can have a final, uninterrupted address to the audience. It’s a quiet, deliberate choice, and it gives weight to her closing remarks.
Goodall doesn’t offer only sweeping statements. She recounts her childhood, her early days in Africa, her relationship with nature, and small personal stories that ground her worldview in lived experience. She reminds us that a life of curiosity, of caring, of paying attention, is a life well lived.
Despite the gravity of the topic, Goodall’s outlook is not despairing. She emphasizes that every life matters and that we all have a role to play, even when challenges like climate change and species loss loom large. Her final speech is a plea to not give up, to do what we can while on this earth. It’s moving, earnest, and dignified, exactly the tonal balance that turns introspection into motivation.
Famous Last Words: Dr. Jane Goodall is not a conventional documentary, nor a sanitized biopic. It’s more like a final letter, layered, honest, intimate, and deeply human. For fans of Jane Goodall, conservation, or human stories in general, this episode offers something rare: the chance to hear her voice one last time, full of passion, humor, clarity, and hope.
I believe many will walk away from it changed, more reflective, more inspired, more resolved and hopeful. It’s a tribute, a farewell, and a challenge all in one, and I hope you get a chance to watch.
Sailors take warning!
I’m happily joining Kat and the Unravelers today with one finished sock and a good start on the second. I still need to kitchener the toe on the first one, but I’ll wait until both are done. I’ve finished the heel flap on sock #2 and just need a few quiet minutes to turn the heel.
I snapped a few “sock in the wild” photos at Ryan’s house. His hydrangeas and sedum are blooming, and they made a nicer backdrop than my own parched lawn.
I did finish a book this week and it was a good one. So Far Gone by Jess Walter is an
absorbing, funny, and surprisingly tender novel about one man’s
reluctant reentry into a world he thought he’d left behind for good.
Rhys Kinnick, once a journalist and now a near-hermit in the Pacific
Northwest, finds his solitude upended when his two grandchildren appear
on his doorstep, fleeing a father who’s fallen in with a Christian
Nationalist militia. When the kids are kidnapped, Rhys, helped by a
retired detective and a sharp-tongued ex, has no choice but to face both
his past and the fractured country he’s been avoiding.
The setup
could easily veer into bleakness or satire, but somehow Walter walks a
real tightrope here. The book is very much about Our Present Moment,
with political division, disinformation, and despair, without getting
you so steeped in the terrors of the far right that it feels more like
stress than storytelling. There are moments when it's laugh-out-loud
funny, but it never feels like Walter treats his subjects too lightly.
Rhys
is a man who can be saved, a man whose ideals and disappointments are
equally large, whose disillusionment extends not just to society but to
his own moral failings. Walter treats him (and the broken country he
mirrors) with empathy and wit. The result is a story that’s humane,
sharply observed, and unexpectedly hopeful.
If Beautiful Ruins was Walter’s elegy for ambition, So Far Gone is his meditation on retreat and return, and it proves that running from the world is never the same as healing from it. This one was a solid four stars for me.
What are you making and reading this week?