I'm here to show you what the Dracula Hitchhiker looks like with the finish of Fleiderbusch (Lilac Bush) and the addition of Lavendel (It's Lavender, but I bet you figured that out without my helpful translation from German.) I decided to take the picture in the grass instead of on the gray slate patio like I usually do and it looks quite different.
I think it looks better in the grass, so that may be where I take photos from now on. There's no Unraveled Wednesday linkup since Kat is on vacation, but every Wednesday is Unraveled to me.
I finished two books this week. The first is one that Kat recommended. Cold Granite is a gritty, atmospheric
crime novel that delivers a strong debut for DS Logan McRae. Set in
rainy, snowy, perpetually gray Aberdeen, the novel leans heavily into its
bleak surroundings—and it works. Stuart MacBride crafts a dark, often
grim procedural that doesn't shy away from the brutal realities of child
murder, political pressure, and media manipulation.
Logan McRae
is a compelling lead, recently returned to duty after a near-fatal
stabbing. He's smart and determined but also constantly outpaced by
bureaucracy, bad luck, and his more colorful colleagues. MacBride
populates the story with a solid supporting cast, particularly the
foul-mouthed DI Steel, who adds both humor and unpredictability to the
mix.
The plot is dense, but that adds to the story. There are
several cases intersecting, red herrings galore, and a lot of running
around Aberdeen in the cold rain and awful weather. At times, it felt
like the narrative was spinning its wheels, and the pacing sagged a bit
under the weight of its complexity. A little tightening might have
worked.
That said, MacBride’s writing shines in his vivid (and
often gruesome) descriptions and in the snappy dialogue. His black humor
is sharp, and the procedural elements feel authentic. This three and a
half star novel wasn't perfect, but definitely promising. I’ll be
picking up the next in the series.
I was relieved to finish the second book. Night. Sleep. Death. The Stars. is
classic Joyce Carol Oates in many ways: immersive, sprawling,
unflinching in its look at grief, race, family dynamics, and injustice.
Oates is clearly a master of her craft — her writing can be absolutely
brilliant, dropping you into the minds and emotions of her characters
with incredible precision. There are passages here that are breathtaking
in their insight and emotional weight.
And yet . . . as a
reading experience, for me this book often felt more like a test of
endurance than a rewarding journey. At nearly 800 pages, it sprawls in
ways that feel less intentional and more exhausting. While the premise
is gripping — a family reeling after a violent encounter with the police
— the narrative meanders endlessly, and many threads seem to simply
wither away rather than build toward anything satisfying.
Oates
clearly isn't interested in "clean" resolutions, and that's fine — life
is messy, grief is ongoing. But for a novel of this size and ambition,
the lack of any real catharsis or payoff by the end was frustrating.
After hundreds of pages of character study and slow-burn tension, I
wanted something that felt like emotional movement or growth. Instead,
the characters seem just as lost, fractured, and haunted as when the
novel began.
Ultimately, Night. Sleep. Death. The Stars.
showcases Oates’ undeniable brilliance as a writer, but as a novel, it’s
a heavy, sometimes unrewarding experience. If you’re a diehard fan of
her work or love character-driven sagas without neat endings, you might
find more to love here. Otherwise, prepare for a long, often beautiful,
but deeply unresolved read. Three and a half stars, but I can't round
up.
What are you making and reading this week?