... is a day to wonder what this might mean.
I'm well past midlife but I can definitely get behind knitting, birdwatching, and reading with cats!
Striving to be highly reasonable, even in the face of unreasonableness. Reading, knitting, and some alcohol may help.
... is a day to wonder what this might mean.
I'm going down to see Nugget tomorrow and have bagels with Jess but other than that, I've got a blissful weekend to myself. I hope you're anticipating an equally satisfying weekend!
I'm joining Kat and the Unravelers with some SIPs (Socks In Progress). It's been too d*&n hot to do much else beside sit in front of the air conditioner and knit small things. There were several hours of awfulness where I had to pick snow peas in John's garden at Ryan's but it was as terrible as you might imagine so I won't dwell on that.
The blue and green striped one is ready for me to start on the toes, and the rainbow one is ready for the heel flap and turn if I can gather some gumption. Today it's supposed to reach 100 again, but motivation might be just around the corner tomorrow when the temperatures (hopefully) begin to drop.
I read only one book this week, but it was a memorable four-stars. Ocean Vuong’s The Emperor of Gladness is a tender, quietly
powerful novel that explores the fragile beauty of human connection, the
resilience of the working class, and the long, difficult journey toward
self-worth. This is Vuong’s first full-length work of fiction since On Earth We’re Briefly Gorgeous, and once again he brings his signature lyrical style to a narrative that is emotionally rich and deeply humane.
At
the heart of the novel is Hai, a 19-year-old Vietnamese American who
survives a suicide attempt only because it’s interrupted by Grazina, an
elderly widow with dementia and an unshakable sense of presence. In a
move that serves both of them, Hai agrees to become her caretaker. What
follows is not a conventional redemption arc, but a deeply nuanced
exploration of grief, shame, dignity, and the strange, sometimes
stubborn ways people come to care for one another.
Vuong’s prose
is spare but luminous, filled with quiet observations that land like
revelations. He gives dignity and emotional texture to the lives of
people often overlooked—immigrants, the poor, the aging, the young who
are barely hanging on. The relationship between Hai and Grazina unfolds
with the slow trust of real life, becoming a kind of found family that
neither of them expected but both desperately need.
Some readers
might find the narrative more reflective and "dreamy" than event-driven,
but that’s part of its strength. Vuong doesn't seem interested in
melodrama—he's invested in emotional truth. And in that sense, this
novel delivers in every line.
The Emperor of Gladness is a
poignant meditation on what keeps us alive, and who we might become
when someone—unexpectedly, stubbornly—believes we are worth saving.
Quietly devastating and deeply compassionate, this is a novel to read
slowly, and remember long after.
What are you making and reading this week?
We’re thrilled to announce the Read With Us summer selection: The Friend by Sigrid Nunez!
Winner of the 2018 National Book Award for Fiction, The Friend is a deeply moving and quietly powerful novel about grief, literature, and the unexpected ways love and healing enter our lives. At the center of the story is a woman mourning the sudden loss of her closest friend—and the large Great Dane he left behind. What begins as an act of reluctant caretaking becomes a meditation on loss, solitude, the creative life, and the profound companionship of animals.
Nunez’s writing is spare, elegant, and laced with both literary reflection and emotional honesty. It’s the kind of book that feels intimate and expansive all at once—a perfect choice for thoughtful discussion.
Why we chose The Friend
Kym, Carole,
and I will be talking about the book, giving additional information,
and doing promotional posts through July. Discussion day for The Friend is scheduled for Tuesday, September 16, 2025 at 7:00 pm Eastern time, so mark your calendars. We'll ask questions on our blogs that day and then host the always fun, educational, and entertaining Zoom discussion.
Whether you're new to Sigrid Nunez or already a fan, we hope you'll Read With Us and discover (or revisit) this beautifully written novel.
... is a day when you just want to lie in front of the air conditioner with a wet washcloth on your forehead. Our weather this week looks quite warm too d**n hot, like much of the rest of the country:
I hope your Monday is a good one and you can find a way to stay cool this week!
It's the third Thursday of the month so I'd like to welcome you to A Gathering of Poetry. Today I made sure I didn't forget about A Gathering of Poetry like I did last month, and this month Billy Collins came to my rescue.
I had a lime tree that died and I recently bought a new one. It's outside and growing well and I recently caught myself thinking, "I just love this little lime tree." A few days ago I was washing my hands with a bar of Ivory soap and found myself thinking, "I really love the smell of this soap." Thankfully, Billy Collins had already written a poem about these moments.
Aimless Love
by Billy CollinsThis morning as I walked along the lake shore,
I fell in love with a wren
and later in the day with a mouse
the cat had dropped under the dining room table.In the shadows of an autumn evening,
I fell for a seamstress
still at her machine in the tailor’s window,
and later for a bowl of broth,
steam rising like smoke from a naval battle.This is the best kind of love, I thought,
without recompense, without gifts,
or unkind words, without suspicion,
or silence on the telephone.The love of the chestnut,
the jazz cap and one hand on the wheel.No lust, no slam of the door—
the love of the miniature orange tree,
the clean white shirt, the hot evening shower,
the highway that cuts across Florida.No waiting, no huffiness, or rancor—
just a twinge every now and thenfor the wren who had built her nest
on a low branch overhanging the water
and for the dead mouse,
still dressed in its light brown suit.But my heart is always propped up
in a field on its tripod,
ready for the next arrow.After I carried the mouse by the tail
to a pile of leaves in the woods,
I found myself standing at the bathroom sink
gazing down affectionately at the soap,so patient and soluble,
so at home in its pale green soap dish.
I could feel myself falling again
as I felt its turning in my wet hands
and caught the scent of lavender and stone.
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"Aimless Love". Collins, Billy. Nine Horses: Pan Macmillan and Random House Trade Paperbacks, 2003.
You can read more about the poet here and here.
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You are invited to the Inlinkz link party!
Click here to enterI'm joining Kat and the Unravelers with the slightly sad tale of a broken needle. I did order a bamboo circular so I could attempt the four-stitch decreases in Soft Current (ravelry link) on needles that aren't too slippery, but they arrived with a broken point in the sealed package, so I've ordered a different type. The replacement should arrive sometime this week, but I'm not sitting around waiting impatiently. I cast on for a pair of socks with some self-striping yarn in my favorite colors. I'm really enjoying working on them and am heading down the foot on the first sock.
I finished two books this week. The first is entitled Bad Company: Private Equity and the Death of the American Dream. I wasn't sure this was a book for me when I was first offered the ARC, but I decided it was worth reading to educate myself about what private equity firms really are and how they operate.
In Bad Company, Megan Greenwell pulls
back the curtain on the destructive influence of private equity firms,
whose sole mission—to generate maximum profit for investors—often comes
at immense human cost. With sharp reporting and deep empathy, Greenwell
explores how this opaque, powerful industry has reshaped American life
in ways most of us aren't aware of until it’s too late.
From
retail chains gutted for parts, to nursing homes where patient care
declines as profits rise, to newsrooms stripped of staff and mission,
Greenwell brings the consequences of financial chicanery down to the
ground level—where ordinary workers and communities are left to pick up
the pieces. The sections on housing and health care are particularly
chilling, showing how private equity firms insert themselves into
essential services, extract wealth, and then leave ruin behind.
What
makes this book stand out is its focus on people—not just policies or
profit margins. Greenwell never loses sight of the lives destroyed,
dignity eroded, and communities disrupted when decisions are made purely
in service of capital.
While some readers may wish for more
policy prescriptions or structural analysis, Bad Company succeeds as a
necessary, accessible, and often enraging look at an industry that
thrives in the shadows. It’s a wake-up call to anyone who’s ever asked,
“Why does everything feel like it’s getting worse?”
Thank you to NetGalley and Dey Street Books for providing me with a copy of the book. It was published on June 10, 2025.
The second book, The Beast in the Clouds, is a fascinating
blend of adventure, history, and science, chronicling a little-known
chapter in the lives of the Roosevelt brothers—Theodore Jr. and
Kermit—on their ambitious and dangerous 1920s expedition to China in
search of the mythical giant panda. Nathalia Holt brings a sharp eye to
the historical detail, placing this journey in the broader context of
Western imperialism, scientific exploration, and family legacy.
The
book shines when it digs into the Roosevelt family dynamic,
particularly the pressure the brothers felt to live up to their father’s
name. Their psychological struggles, especially Kermit's lifelong
battle with depression, are handled with nuance. Holt also gives us a
vivid portrait of the expedition itself, from treacherous mountains to
cultural misunderstandings, and paints a complex picture of China at a
moment of political upheaval.
That said, the pacing occasionally
lags, particularly in the midsection, and the book sometimes feels torn
between being an adventure story and a historical analysis. I also would
have appreciated more in-depth coverage of the ecological and
zoological significance of the panda, beyond its role as a symbol or
trophy.
Still, Holt’s research is impeccable, and her prose is
accessible and often poetic. This is a compelling story about obsession,
legacy, and the fine line between scientific curiosity and colonial
arrogance. A great read for fans of narrative nonfiction and those
curious about forgotten corners of exploration history.
Thank you to Atria and NetGalley for providing me with a copy of this book. It will be published on July 1, 2025.
What are you making and reading this week?
Carole asked "How does Ciara’s story shed light on systemic failures—particularly in social services, housing, and financial support—that make it nearly impossible for her to break free? What form of social safety net—safe housing, child allowance, legal aid, emotional support networks—might have changed Ciara’s odds? Where does the novel suggest these are absent or inaccessible?" Several people were a little surprised that resources were in such short supply in Ireland and we all agreed that there are not enough resources of any kind for housing, financial assistance, or other support, in Ireland or the United States. Debbie made a point about how limited resources are in rural areas, and even if safe houses exist, there may be a 3-4 month waiting list. We felt that reading about the lack of resources along with the bureaucracy Ciara endured really helped pull the reader into the book.
My questions had to do with the epigraph O'Donnell used, a poem called "Mother Ireland. The final lines are “Now I could tell my story. It was different from the story told about me.” Why do you think O’Donnell chose this poem? How is Nesting different from the story normally told about women like Ciara?" Kat said that she felt it was powerful when Ciara said, "This is my voice" and she realized that she had her own story to tell, and it was not the one her husband had been telling. Vicki made a point that everyone involved has their own story - Ciara's children, her mother and sister, and even all the people she was dealing with in the bureaucracy of housing, but Ciara eventually learned to own her story and tell it.
Kym wondered "What does the title Nesting suggest in the context of the novel? How does it relate to themes of home, safety, and survival? How does the ending leave you feeling? Does it offer hope, realism, or something in between?" Most participants felt that Nesting was a good title for the book, as it made us think of making a safe and secure home for our family. Ciara had to leave her house to do that for herself and her children, but she was able to do that in the hotel and eventually her own home. Many of us were a little unsure about the crow shown on the cover and what the crow meant in the story, but someone mentioned that since Ryan may have taken it from the nest, it represented power over innocents and was another way to show how cruel he could be.
We all liked the book, despite the fact that the ending felt like it was a bit too easy. When Kym, Carole, and I are choosing a book, we're often concerned about whether it will be discussable or will everyone just say they liked it so much that there's nothing to talk about. Most likely because of the intense subject matter of abuse, we had plenty to talk about even while we all enjoyed the book.
I have come to rely on our Read With Us discussions to clarify ideas and participants often bring up points that I have not considered. It's a valuable thing for me, and I think that was especially true for this discussion. Several of you shared your personal experiences with family or friends in the same abuse situation and your willingness to share made this book even more personal and understandable. I'd like to thank all of you for reading, participating, and sharing.
I heard something about a big birthday/military parade in Washington, D.C. on Saturday. My birthday was yesterday and while there didn't seem to be a parade in my honor, I've been thinking about what I would like to see in my parade:
This parade wouldn't last long so I could leave with several pieces of cake, some yarn, and a new book to go home and read on the porch. Maybe a nice cat would even follow me home.
In case you're wondering what this might look like, it could be something like this:
Forty-four is the number of years we've been married, so Happy Anniversary to us. That is kind of an amazing number to me, especially when I consider that John retired three years ago and that means he's always around. This has meant some big adjustments (mainly on my part), but I'll bet that we make it to 45.
Here's what we looked like on June 14, 1981.
I'd post a picture of what we look like now but we don't have any recent photos of us together. Maybe I'll ask Ryan to take one when we see him later today, but that's probably not necessary. We look exactly the same and haven't changed at all. (Insert hysterical laughter here.)
I hope you all have a wonderful weekend!
I'm joining Kat and the Unravelers with a finally finished Hitchhiker. It rained most of the day yesterday, so I wasn't going outside to throw it in the grass for a photo. I pinned it to the porch railing and that's the best I can do for now. Maybe if it ever stops raining and I get it out again in the fall I'll try to take a better picture but it is fine for now.
I finished two books this week and neither one of them was great. The Let Them Theory by Mel Robbins takes a popular
phrase, “let them”, and builds an entire book around it. The core
message is straightforward: stop trying to control others and instead
allow them to behave however they want. Has someone excluded you,
ignored your needs, or made questionable choices? Let them. According to
Robbins, your peace is found in that detachment.
There’s some
value here, particularly for dealing with minor annoyances or setting
boundaries in everyday relationships. If a friend constantly cancels
plans or your co-worker is rude in a meeting, practicing “let them” can
save you energy and stress. In those cases, the advice is simple,
freeing, and practical.
But that’s also the problem — it’s too
simple. This is a message that probably would’ve been more effective as a
blog post or a short TED Talk. The book is highly repetitive, and once
you understand the premise, there’s not a lot of new ground covered.
There is a second part to the "theory" that seems to get lost, "Let me."
This invites you to turn inward: Let me figure out what I need, let me
take control of my response, let me move forward without needing
permission from others. “Let them” can be a liberating way to disengage
from unnecessary conflict, and the “let me” side empowers you to take
responsibility for your own peace and next steps.
But more
importantly, I think the “let them” philosophy could be dangerously
reductive when applied to serious situations like trauma, abuse, or
grievous injustice. Suggesting that someone “let” their abuser mistreat
them in order to reclaim peace is not only misguided — it can be
retraumatizing. Robbins acknowledges that this method isn’t always
appropriate, but much of that nuance got lost in the cheerleading tone.
There
is some controversy surrounding the origin of the “let them” phrase,
with various voices online pointing out that Robbins didn’t invent this
concept. It’s an idea that’s floated around for years in different
forms. Robbins has never acknowledged Cassie Phillips who originally
wrote the "Let Them" poem, raising serious questions about originality
and plagiarism.
I was prepared to hate this book because
self-help proclaiming that it is life-changing raises my hackles before I even start reading. A
friend said that it had been helpful so I was interested in finding out
what the book had to say. Ultimately, The Let Them Theory offers a
catchy mantra for specific, low-stakes situations, or even instances of
personal growth, but it’s not a universal solution. The book is worth
flipping through for a few takeaways, but approach with caution —
especially if you’re dealing with deeper issues. Two and a half stars,
but I can't round up.
I had hoped for more from Is A River Alive? by Robert Macfarlane. The book is a beautifully
written, lyrical meditation on the nature of rivers, our relationships
with them, and the broader question of what it means for something to be
“alive.” As always, Robert Macfarlane’s prose is evocative, poetic, and
deeply sensory—his gift for language can make even a puddle shimmer on
the page. His references to myth, language, and cultural understandings
of rivers from around the world (Ecuador, India, and Canada) are
thought-provoking and richly textured.
That said, I found myself
wanting more science to balance the philosophy and poetics. The titular
question—Is a river alive?—is fascinating and could have benefited from a
deeper dive into hydrology, ecosystems, or even legal personhood from a
scientific or environmental law perspective. While the book inspires
reverence and reflection, it didn't fully satisfy this reader who was
looking for rigorous evidence, clearer answers, conservation history,
economic pressures, and more understanding of interconnected systems.
The
author has a real love of rivers and his enthusiasm and desire to
protect them is admirable. His book is a lovely read for fans of nature
writing and contemplative nonfiction, but less fulfilling if you're
hoping for a more empirical or interdisciplinary approach. This one was three stars for me.
Maybe next week's books will be better! What are you making and reading this week?
Today is the discussion day for our Read With Us spring book, Nesting by RoisÃn O’Donnell.
Kym, Carole, and I are each posting a discussion question or two on our blogs today, and you are welcome to respond in the comments. I would also encourage you to reply to others' comments if you choose. This is a book discussion, after all, so there are no correct answers or right opinions. I've been looking forward to discussing this book, even though the subject matter made it difficult to read. I don't know of a better bunch of people for a book discussion than all of you.
Here are my questions: The epigraph for Nesting is a poem called “Mother Ireland.” The final lines are “Now I could tell my story. It was different from the story told about me.” Why do you think O’Donnell chose this poem? How is Nesting different from the story normally told about women like Ciara?
... is a day to curse deer ticks and their very existence.
Justin called me last week to ask if he needed an appointment at the doctor for blood work. It took a few questions to find out why he was asking but the answer is that he had a bullseye rash on his back but didn't know where to go. He's had Lyme disease before but that was several years ago and they did blood work if there was no rash present. It took a couple of days but he finally went to the doctor on Friday afternoon and asked if I would go with him. As a healthy young man he never goes to the doctor and often feels like he doesn't know what to ask. I think that patients can almost always benefit from having an advocate with them in any medical situation, so of course, I went with him.
Sometimes Monday is also a day to be thankful that doxycycline is effective against Lyme disease and other tick-borne diseases. Justin is taking it for the next two weeks and that means he also needs to also be careful of photosensitivity as a side effect. As someone who is outside every day working on the grounds crew that may be a little difficult, but so is avoiding ticks.
Have a good Monday and check yourself for ticks!
I finished three books this week, and one of them was Nesting, our current Read With Us selection. So in addition to book reviews, I'm also reminding you about our Zoom discussion of Nesting next Tuesday, June 10, at 7:00 pm. I'm looking forward to discussing this one!
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I read the next two books as ARCs but for once, I'm telling you about them after they've been published and not two months before. So if you're interested, they should be available at your library.
Thank you to NetGalley and Random House for providing me with a copy of this book. It will be published on June 3, 2025.
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A Family Matter by Claire Lynch is a
quietly devastating and beautifully told story about a family split
apart by prejudice, silence, and the painful choices adults are forced
to make or make in error. Set in England, the novel follows the adult
daughter of a single father who uncovers a long-buried secret: that her
mother—who she believed absent by choice—was actually ordered by the
courts in 1983 to remove herself entirely from her daughter's life due
to her sexual orientation.
Lynch handles this emotionally fraught
territory with subtlety and care. The narrative moves between past and
present, slowly unspooling the truth as the protagonist grapples with
her father's illness, her own experience of motherhood, and the question
of whether she should seek out the woman she never knew she missed. The
writing is restrained but emotionally resonant, capturing the quiet
ache of lost time and the complicated love that persists even through
separation.
There are some things that are left unsaid in the
novel, but this is both a strength and a weakness by toning the emotion
down a bit, but at times the reader is left wondering. The emotional
core of the novel is powerful and deeply affecting. Lynch does an
excellent job portraying the social and legal forces that shaped queer
lives in the 1980s—and the long aftershocks of those injustices. The
author's note that stated, "In the 19080s in the United Kingdom, around
9o percent of lesbian mothers involved in divorce cases ... lost legal
custody of their children," was a terrible and chilling statistic.
A Family Matter is a tender, thought-provoking novel about the costs of silence and the redemptive potential of truth.
Thank you to NetGalley and Scribner for providing me with a copy of this book. It will be published on June 3, 2025.
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Here's hoping you have a good weekend and a good book to read!
I'm joining Kat and the Unravelers with yet another installment in the current Hitchhiker. I really hope this is the last still-in-progress post, but I'm still not done yet. I will keep on knitting ...
Since I talked about looking forward to my next project last week, I'll tell you a little bit about it. This is what I'll be casting on:
The pattern is Soft Current (ravelry link). The pattern says "Soft Current is knit flat as a simple rectangle. After blocking, a short 2-4 inch seam at the corner creates a soft loop that slips easily over the head and stays in place without fuss." I'm not sure whether I'll leave it as a rectangle or sew the seam to make a loop, but that decision is a long way away!
Here's the yummy yarn I'm planning on using. I haven't even dared to wind it yet.
It's a really soft combination of alpaca, silk, and cashmere in my favorite color. It's got to be something gorgeous to pull away from Hitchhikers and I have high hopes for this pattern and yarn.
I finished three books this week, so I'll be back Friday with my book reviews.
What are you making and reading this week?
. . . is a day to work in the kitchen.
There is a little bit of a story behind this. Towards the end of last month, Kat posted this amazing video from Rajiv Surendra about his most valuable piece of clothing. It was a stunning embroidered waistcoat, and I was so entranced that I sent it to my SiL. She has become slightly obsessed with his videos and now tells me every week that I must watch his kitchen tour or his talk about his Indian jewelry. He has a lovely voice, lives in an apartment in NYC that he carefully curates, and seems like a gentle soul that appreciates beauty.
The video that my SiL said I must watch this week was this one: